Doctor Who, Ep. 8.08-09, “Mummy on the Orient Express” and “Flatline”: Clara channels the Doctor

CIFF Day 5: ‘The Look of Silence’ and ‘Low Down’

The Knick, Ep. 1.10 “Crutchfield”: The Circus Burns Down in Season Finale

CIFF Day 4: ‘The Young Kieslowski’ and ‘In Order of Disappearance’

Bigfoot Saturdays: ‘The Legend of Boggy Creek’ and the Alienation of Modernity

‘The Tribe’ Movie Review – an original, provocative, brutal, and discombobulating work

The Past, Present, and Future of Real-Time Films Part Four

The Past, Present, and Future of Real-Time Films Part Three

The Past, Present, and Future of Real-Time Films Part Two

The Past, Present, and Future of Real-Time Films Part One

Anime ‘Giovanni’s Island’ Movie Review – is a great wartime drama

Monster Mashup: X-Men #40

NYFF 2014: Chris’ Top 5 – A year dominated by its main slate

Gracepoint, Ep. 1.03, “Episode Three” highlights desperation and paranoia in small town

Advance Review: Goners #1 is a monster mystery mashup

FNC 2014: ‘Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau’ + Interview with director David Gregory

Fund George Romero’s son’s zombie film ‘Origins’

Foreign Horror Fridays: ‘Perfect Blue’ pushes horrific Hitchcockian mind-games

CIFF Day 3: ‘Human Capital’ and ‘Two Days, One Night’

CIFF 2014: ‘Buzzard’ is slacker cinema at its ugliest and most honest

What we know about Telltale’s ‘Game of Thrones’ so far

Scandal, Ep. 4.04, “Like Father, Like Daughter” fails in execution

The Sounds of Revolution: Godard’s ‘Sympathy for the Devil’ and ‘British Sounds’