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Interview with Michael Yezerski: ‘The Little Death’ Composer

‘Clouds of Sils Maria’ Movie Review – a muddled misfire from Olivier Assayas

Dossier: Blackstone, The Magic Detective

‘Gattaca’ and the digital afterlife

‘Force Majeure’ Movie Review – is a searing and knotty satire of masculinity

Death of Wolverine #1 Hits All the Expected Beats

Once Upon a Time for Kanye West: Spike Jonze and Kanye West’s “We Were Once a Fairytale”

Week in Review: Make a horror movie with Guillermo Del Toro

‘Dark Passage’ is about the gruelling, unforgiving trek one must make to reach the light

‘Only If’ is a peculiar experiment with mixed results

‘The Strange Color of Your Body’s Tears’ drowns in its strangeness

A haunting story awaits you inside ‘The Notebook’

‘God Help the Girl’ is a spotty but largely winning pop musical

R.I.P. Joan Rivers, legendary comedienne

Original Sin #8 Has Striking Imagery, But Isn’t Much of an Event

Complex narratives: 6 series that revolutionized television in the digital age

Charles Soule Signs Exclusive Deal with Marvel

Dwayne Johnson announces he’ll be playing Black Adam in ‘Shazam’

‘Hotline Miami’ takes players on an acid trip into a realm of depravity

‘Nailbiter’ #5 spine-tingling fun, but not the masterpiece I wish it was

‘Shadow/Grendel’ #1 Is a Fine Example of the Noir Style

The Definitive ‘What the F**k?’ Movies: 30-21