The Blacklist Ep. 1.02 “The Freelancer” is an improvement, but not by much

Eastbound and Down Ep. 4.01 “Chapter 22” poses a simple existential question about Kenny Powers

Remembering Elmore Leonard: ‘Stick’ is fine pop entertainment

Sleepy Hollow, Ep. 1.03, “For the Triumph of Evil”: Scary monster, character development can’t save weak third act

How horror films continue to insult women through the Final Girl trope

How I Met Your Mother Ep 9.03 ‘Last Time In New York’ wastes a lot of time to make a great point

Boardwalk Empire, Ep. 4.04, “All In”: Plot kicks up a notch as characters make fateful choices

Film4 Frightfest Announces Stellar Line-Up for Halloween All-Nighter

The Good Wife, Ep. 5.01 “Everything Is Ending” a reminder why this is one of the best shows on network TV

The Amazing Race, Ep. 23.01, “We’re Not in Oklahoma No More”

Breaking Bad, Ep. 5.16: “Felina” ends it all

Masters of Sex, Ep 1.01: “Pilot” an imperfect but accomplished introduction to a fascinating new series

Super Crate Box Proves Retro is Still Cool

Homeland, Ep. 3.01: “Tin Man is Down” eases viewers back into espionage

Once Upon A Time, Ep. 3.01, “The Heart of the Truest Believer”: Darkness comes in the form of Peter Pan

Breaking Bad Finale Recap and Reaction: That’s All, Folks!

Parenthood, Ep. 5.01, “It Has to be Now” a promising premiere for one of the networks’ best

Glee, 5.01, “Love, Love, Love” Opens Glee Fans Back Up to Joy

10 Things to Know About Don Jon

Hell on Wheels, Ep. 3.09, “Fathers and Sins”: One rail at a time

‘Zombieland’ a hilarious, entertaining and crucially intelligent satire

‘We Are What We Are’ is one of the best horror remakes

Wolverine and the X-Men #36