‘The Swift Knight’ is but a stepping stone for director Jeng Cheong-Woh before greatness

NYFF 2013: ‘Inside Llewyn Davis’ a melodic cinematic pleasure that engages despite its acerbic anti-hero

Elementary, Ep. 2.01: “Step Nine” takes Sherlock back to his origins

Transformers: More Than Meets the Eye # 21 Feels Surprisingly Unclimactic

Wide World of Horror: ‘Yavarum Nalam’ – the oppression of television

REEL MTL: FNC’s International Competition for the Louve d’Or Boasts Strong Selection

‘Suddenly’ is not only thrilling but an insightful look into a crucial chapter of American history

Jupiter’s Legacy #3 is the Perfect Mix of Ideas and Action

Revolution, Ep. 2.01: “Born in The U.S.A.” hits the reset button

Sex Criminals #1 is a Strange Concept with Unique Art and an Interesting Protagonist

NYFF 2013, Day One Dispatch: ‘Like Father, Like Son’; ‘Stranger by the Lake’; ‘Inside Llewyn Davis’; ‘Nobody’s Daughter Haewon’

‘Don Jon’ surprisingly misanthropic commentary on modern romance and gender roles

‘Rush’ a mildly enjoyable film saved by Daniel Bruhl’s performance

The Bridge, Ep. 1.12, “All About Eva”: Strong performances buoy transitional episode

Here Be Dragons: ‘Ghost in the Shell’

Fantastic Fest 2013: My Top Five of the Fest and Wrap-Up

Survivor 27.2, “Rule in Chaos” reveals a new side effect of this season’s formula

Kickstart this project (through Indiegogo): “Accursed: A Woeful Tale of Insufferable Sorrows”

Fall 2013 Network TV Preview: ABC’s new comedies are a white-washed, mostly uninspired trio of shows

Sons of Anarchy, Ep. 6.03: “Poenitentia” strikes the classic SoA feel

Fall 2013 Network TV Preview: NBC Comedies a mostly forgettable bunch

‘Los Angeles Plays Itself’ a mastery of visual essay and love letter to cinema’s greatest city

Fantastic Fest 2013: The Award Winners Have Been Announced