EIFF 2013: Glasgow rom-com ‘Not Another Happy Ending’ is vibrant but insubstantial

EEFF 2013: ‘Dummy Jim’ is a thankfully unsentimental paean to earthly wonders

‘Narc’ a blisteringly powerful and sublimely raw thriller

Anchor Bay Entertainment unleashes AMC’s original series The Walking Dead: the complete third season on Blu-ray™ and DVD

Discovering Mad Dogs

Shoreline Scripts Final Call For Entries for its 2013 screenwriting competition

Film4 FrightFest 2013 announces full line up; record 51 films, and more.

The top 5 potential nightmares in ‘State of Decay’

EIFF 2013: Hideo Nakata makes a disappointing return to J-horror with ‘The Complex’

‘Two Champions of Shaolin’ shows off some refreshing satirical bite

EEFF 2013: ‘The Heart of Bruno Wizard’ makes a strong case for ‘heart’, if not its subject

Second Language: A decade of pop music on TV

Lazarus #1 Breathes New Life Into Comics

EIFF 2013: ‘Blackbird’ is a sensitive portrayal of Scotland’s vulnerable folk tradition

The 5 Best Music Videos Of The Week

Clone High Ep 1.08/1.09 ‘A Room of One’s Clone: The Pie of the Storm’/’Raisin the Stakes: A Rock Opera in Three Acts’ are two flawed high-concept episodes

‘Pickup on South Street’ sees Cold War tensions put the ‘heat’ on the criminal underbelly

Graceland, Ep. 1.04 “Pizza Box” fully remedies pilot’s lack of well-rounded characters

EIFF 2013: Harry Dean Stanton profiled in the terrific ‘Partly Fiction’

‘Redemption’ a decent, if contrived, Jason Statham vehicle

The audacity of dope: ‘White House Down’ a goofy, fun ‘Die Hard’ rip-off

Solid and funny ‘The Heat’ has a good balance between Bullock and McCarthy

The (In)Security of Horror: What Max Brooks Got Wrong about the Horror Genre