SXSW 2013: ‘Don Jon’ is a look at objectification in all its forms

Cougar Town Ep 4.10 ‘You Tell Me’ recovers from a rough start to finish strong

The Return of Mickey Mouse: Disney’s new Short Film ‘Croissant de Triomphe’

‘Oz the Great and Powerful’ and what Sam Raimi did right

Monday Night Raw Review 3/11/13

Bernie Wrightson’s ‘Frankenstein’ limited edition screenprints

‘Mulholland Drive’ baffles the mind

‘Eraserhead’ a pneumatic experience that once seen is never forgotten

‘Blue Velvet’ A poisoned valentine to the illusionary, transparent, American dream

Buffy Season Eight Vol. 4: Too Much Exposition Weakens the Series’ Conclusion

The Carrie Diaries Ep 1.9 “The Great Unknown” – Sometimes You Come Out of the Closet, Sometimes You Come in it.

Girls Ep 2.09 ‘On All Fours’ aims to make viewers cringe

The Amazing Race Ep. 22.4, “I Love Monkeys!”: Thinking too much on the race is a bad idea

PaleyFest 2013: Watch the full panel for ‘Dallas’

‘Upside Down’ – sterile, unconvincing tripe

‘The Ghost Train,’ hovers between comedy and suspense

NCIS, Ep. 10.17, “Prime Suspect”: A barbershop and the Bahamas offer complexity but deliver dysfunctionality

Revenge, Ep. 2.15, “Retribution”: Viewers regain faith

SXSW 2013: ‘The Fifth Season’ is a sparse and dark film about an endless winter

‘No’ is a memorable film about the media’s power in times of struggle

Buddy Cops is More Collision Course than Bad Boys

‘Stoker’ stars and director able to bridge culture and language gap while filming

SXSW 2013: ‘Spring Breakers’ fulfills the salacious anticipations but with a surprising bit of darkness