Supernatural, Ep. 7.16, “Out With the Old”: Balanced ep finally gives baddies dimensionality

SXSW 2012: ‘V/H/S’ is a mixed bag, as with most horror anthologies

Extended Thoughts on ‘John Carter’

Mousterpiece Cinema, Episode 37: ‘John Carter’

10 (Kind Of) Great Classic Sci-Fi Flicks You May Have Never Heard Of

Overflowing with so much action and fine acting,’Desperate’ is anything but what its title suggests

Thursday Comedies: Community 3.11, 30 Rock 6.12, Archer 3.12

Cops and Doctors and Lawyers, Oh My!: Networks and their Love Affair with the Procedural

The Vampire Diaries Ep. 3.16, “1912”: Underplotted filler ep saved by closing reveal

Survivor: One World, Ep. 24.05, “A Bunch of Idiots”: This season needs a new title

SXSW 2012: ‘Black Pond’ incredibly original and startlingly mature

How does ‘Sherlock’ work in the US? The answer is Elementary!

AmérAsia Film Festival 2012 Wrap Up

‘Pearls of the Far East’ Movie Review – puzzling, yet just as beautiful as its titular jewels

’21 Jump Street’ better than it has any right to be

Star Yun Joeng-hie and director Lee share the spotlight in ‘Poetry’

SXSW 2012: ‘Compliance’ less a narrative than a descent into the depths of human weakness

SXSW 2012: ‘Intruders’ is a bit too muddled and a bit too slight

Justified, Ep. 3.09: “Loose Ends” does some last-minute character work before the home stretch

‘Polisse’ an astonishing display of writing, direction and acting

‘Payback’ will have audiences thinking, even though it only skims the surface of its topic

SXSW 2012: ‘John Dies at the End’ bracingly surreal and charming

SXSW 2012: ‘Jeff’ offers a unique perspective on the Dahmer horrors