Supernatural, Ep. 7.15, “Repo Man”: Bringing scary back

V: The Original Series: a close encounter with ham and cheese

Academy Mistakes: ‘The Piano’ for Best Original Score

Glasgow Film Festival 2012: The restored ‘Loves of Pharaoh’ is a must-see for Ernst Lubitsch fans

Mitchum and Domergue are on a highway to hell in ‘Where Danger Lives’

The Vampire Diaries, Ep. 3.15, “All My Children”: Reveals show viewers they’re in safe hands

Thursday Comedies: 30 Rock 3.08, Parks and Rec 4.15, Archer 3.08

‘The Front Line’ rises to the occasion, overcoming its familiarity

Shippers: Who’s Steering This Boat?

Survivor: One World, Ep. 24.01, “Two Tribes, One Camp, No Rules” is a chaotic, unpredictable start

‘Bullhead’ a character study with a mean streak

SXSW 2012: Todd Rohal’s ‘Nature Calls’ and more added to line-up

‘The Secret World of Arrietty’ is both fun and sweet

‘The Wicker Man’ boasts one of the greatest endings of all time

Berlinale Diary 2012: Part Three

Justified, Ep. 3.05: “Thick As Mud” a thriller in miniature

Glasgow Film Festival 2012: ‘Avé’ is a not entirely engaging road movie

10 Great Date Night Shows

Thurrock International Film Festival; 24th June – 30th June 2012

Catherine Breillat Retrospective: Almost Mainstream

Once Upon A Time, Ep. 1.12, “Skin Deep” – Belle jars Gold

Amazing Race 20 Preview: A surprisingly “mature” cast, by reality standards

Glasgow Film Festival 2012: ‘A Boy and His Samurai’ is a generally charming family film