‘A Dangerous Method’ showcases an uncomfortable biological essentialism

‘Rampart’: aiming more for a sunshine coast ‘The Wire’ than a nervous ‘Lethal Weapon’

Watch Miss Piggy on ‘Jimmy Kimmel Live!’ and a duet with Bret McKenzie and Kermit the Frog

Filmfest Hamburg `11: `Detachment´, experimental, griddy and hard to detach from!

The ‘Twilight’ Formula: A Writer’s Guide to Mammoth Success

Misfits, Ep. 3.04: Fantastic cinematography ruined by poor writing

Homeland, Ep. 1.08: “Achilles Heel” explores love in marriage and huge twists

Hell on Wheels, Ep. 1.03: “A New Birth of Freedom” doesn’t show enough faith in the viewer

The Walking Dead, Ep. 2.06: “Secrets” acts as a plot-point clearing house

St. Louis International Film Festival 2011: ‘My Comic Shop DocumentARy’: A warm, entertaining depiction of a haven for comic book fans

‘Into the Abyss’ not a classically styled investigatory piece

Grimm, Ep. 1.04, “Lonelyhearts”: Series continues well with a B&B-running Bluebeard

‘The Muppets’ – honors both the fans and the legacy

Supernatural, Ep. 7.09, “How to Win Friends and Influence Monsters”: Obvious cliffhanger undermines otherwise fun episode

SOS Staff Gateway Films: Shane Ramirez – ‘The Thin Red Line’

Fringe, Ep. 4.07, “Wallflower”: Promising episode undone by narrative-necessitated stupidity

St. Louis International Film Festival 2011: Microbudget indie ‘All Those Yesterdays’ overcomes limitations with sincere heart

St. Louis International Film Festival 2011: Gripping thriller ‘Headhunters’ is the surprise of the fest

SOS Staff Gateway Films: Bill Mesce – ‘The Magnificent Seven’

Community, Ep. 3.08 “Documentary Filmmaking: Redux” unintentionally alludes to the benching news

Animated Fan Made Credit Sequence For ‘The Dark Knight Rises’

Joe Schmoe and his Hot Wife Betty: A Sitcom Trope Investigated

Revenge, Ep. 1.08: “Treachery” deepens the relationship intrigue