31 Days of Horror

‘Poltergeist’ remake in the works

‘Kairo’ a rare bit of apocalyptic horror cinema

’28 Days Later’: A daring example in the zombie genre

31 Days of Horror: (Giallo) — Bava and Hitchcock

31 Days of Horror (Psychological Horror): ‘Dead Again’

31 Days of Horror (Zombies): Reality Bites

How horror films continue to insult women through the Final Girl trope

31 Days of Horror: ‘Hellraiser’ stretches beyond its iconic character

31 Days of Horror: ‘The ABCs of Death’ is a fun, crowd-pleasing experience

31 Days of Horror: Hammer’s influential ‘The Curse of Frankenstein’ remains a striking work

31 Days of Horror: ‘Inland Empire’ an incredible showcase of Lynch’s most unsettling impulses

31 Days of Horror: ‘Rosemary’s Baby’ a masterclass in performance and paranoia

31 Days of Horror: ‘The Fearless Vampire Killers’ is one of the most aesthetically sumptuous horror comedies around

31 Days of Horror: ‘The Innkeepers’ uses mood as a way of lulling the viewer into a false sense of security

31 Days of Horror: ‘John Dies at the End’ is relatively compelling, often funny and never boring

31 Days of Horror: ‘Angst’ demonstrates why cinematic killers have personas

31 Days of Horror: ‘Demon Seed’ is a mostly successful genre-mashup

31 Days of Horror: Ken Russell imagines classics’ inception in ‘Gothic’

31 Days of Horror: Thin on story, ‘Dracula’ is powerful for its imagery and acting

31 Days of Horror: ‘Amityville II The Possession’, a cheesy horror movie that sets everything on fire around it