As entertaining as it is flawed, ‘American Ultra’ is sure to divide audiences with its haphazard mix of ultra-violence and heartfelt romance. A gleefully-belligerent experiment in style that thumbs its nose at your expectations.
It’s taken almost seven months, but one movie has finally emerged from the dreary pack as the worst of 2015. That film is ‘Vacation,’ and it’s absolutely dreadful.
‘Do I Sound Gay?’ is a hilarious peek into the gay psyche that proves identity and voice are inseparable, regardless of your sexual orientation.
Nostalgia oozes from every cinematic pore of ‘Pixels,’ as director Chris Columbus weaves these videogame relics into a modern landscape. Unfortunately, rather than fully committing to his elegant premise, Columbus gets bogged down in unconvincing character development. Sandler fans and little kids might enjoy this rollcall of ‘80s game icons, but everyone else should just rent ‘Ghostbusters’ instead.
To put it bluntly, this is probably the best issue of Looking for Group that has been published by Dynamite to date. As expected, Sohmer works plenty of D&D and MMORPG tropes into his script along with a larger dose of comedy, but it is DeSouza’s artwork that truly stands out in this issue. His rendering of Hcitb, Richard, and Little Dick take Sohmer’s funny script into realms of hilarity. Even those comic readers not normally into the sword and sorcery would enjoy this issue for the comic relief alone. Hopefully, once they are snagged that way they will give the rest of the LFG series a shot, because it is a truly good book as fans of the series already know.
‘Magic Mike XXL’ is a thoroughly entertaining trifle that doesn’t have a malicious bone in its perfectly-sculpted body. Director Gregory Jacobs serves up a hilarious slice of All-American beefcake that puts a smile on your face and a wiggle in your hips.
Feig is at the top of his game in this riotous crowd-pleaser.
This is not a warm, snuggly comedy that you can watch with grandma and grandpa. No, this movie is the reprobate uncle that nobody wants to bail out of jail. Yet, despite its unabashed rudeness, Pat Mills’ consistently-funny debut doesn’t have a cynical bone its body.
Here is a brief preview of some hotly anticipated films, as well as some obscure titles that might otherwise go unnoticed from the 41st Seattle International Film Festival.
Get Hard is an episodic comedy that seems determined to botch its ‘can’t miss’ premise. No amount of riffing from Will Ferrell and Kevin Hart can overcome a script that’s obviously cobbled together from multiple projects. Director Etan Cohen’s feature-length debut lacks the big-ticket gags to overcome its flawed execution. Ultimately, this is a ‘star vehicle’ that should have stayed in the driveway.
“This shit’s pretty flat, bro.” So sayeth the rudest man in the world, who just happened to be sitting behind me at the screening for Hot Tub Time Machine 2. He began the evening sitting in front of me; deliberately stealing a seat marked ‘Studio Representative’ so he could talk to the beautiful publicist. Shockingly, she rebuffed his drunken advances. “Whatever, bro,” he dismissively burped, and then ambled to the seat behind me. Yes, he’s the guy who calls both men and women ‘bro.’ He’s also the guy who talks through the entire movie, eats handfuls of popcorn with his mouth wide open (ostensibly, so he can still breathe), and kicks the back of the seat like a bored child. In other words, he’s the target audience for Hot Tub Time Machine 2. It’s a bad sign, then, that he laughed a grand total of two times during the entire film. That was exactly two more times than I laughed.
The new documentary Drunk Stoned Brilliant Dead: The Story of the National Lampoon takes us back to the birth of the ultimate problem child, the National Lampoon magazine. Arrested development and controlled substances aside, the Lampoon crew shepherded comedy from its antiseptic television roots through the youth counterculture and back into the mainstream again. It was unfiltered anarchy; vulgar, subversive, and hilarious. Get ready to laugh, feel ashamed for laughing, and then laugh some more.
The D Train starts as a predictable buddy-comedy, only to swerve into a completely unexpected direction. It’s a movie that might have lived comfortably in the ‘80s, alongside other raunchy R-rated comedies that never forgot to bring a little heart. Jack Black continues to evolve as a comedic actor, learning when to turn on his persona and when to disappear into character. The writing is sharp, smart, and determined to give us something unpredictable. Most importantly, it’s funny as hell.
With each new inferior romantic-comedy, you come to appreciate the delicate brilliance of When Harry Met Sally just a little bit more. Sleeping with Other People is a particularly egregious offender because it borrows so heavily from the classic. Though it tries very hard (too hard) to please, it can’t overcome its faulty premise, miscast leads, and ill-conceived gags. This is a rom-com with very few laughs and even fewer romantic sparks.
While audiences and critics are still debating the unbridled ambition of Nolan’s Interstellar, an equally-madcap film (finally) makes its way into North American theaters this weekend. Japanese auteur, Shion Sono, unleashes his demented ode to cinema, Why Don’t You Play in Hell?, which might be the most uncanny take on filmmaking since The Player. Armed with inspired gags, impassioned characters and enough blood squibs to drown Tarantino, Sono delivers a visual feast that’s destined to be a cult classic.
Dear White People Written & Directed by Justin Simien USA, …
‘Dear White People’ is an ambitious, glorious mess Read More »
Lakeview Cabin Hypnohustler PC Private island. Peaceful cabin. Perfect weather. …
‘Lakeview Cabin’ is flooded with laughs and screams Read More »
This Is Where I Leave You Written by Jonathan Tropper …
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They Came Together Written by Michael Showalter and David Wain …
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Our Sunhi, the newest film from Hong Sang-Soo, is enamoured with interconnected romances and the mysteries of affection. A charming and patient comedy, the film excels at presenting the trials and tribulations of desire, offering a rewarding and funny take on the mysteries of love. Though there is nothing exceptional about the title character, Sunhi, she captures the elusive affections of three friends.
