Anomalisa Written by Charlie Kaufman Co-directed by Duke Johnson and Charlie Kaufman U.S., 2015 Weird is rarely used as a good quality in film criticism, but few words so completely describe Charlie Kaufman’s work as weird does. All of his films are a window into his very particular worldview, and that p.o.v. is certainly unlike …
Macbeth Directed by Justin Kurzel Written by Todd Louiso, Michael Lesslie and Jacob Koskoff (Based on the play by Shakespeare) U.K., France, U.S., 2015 There have been countless adaptations of Shakespeare’s Romeo and Juliet and Hamlet, but with the exception of Roman Polanski’s 1971 film, Macbeth has largely gone ignored by cinema. Justin Kurzel, fresh …
Anomalisa Directed by Duke Johnson and Charlie Kaufman Screenplay by Charlie Kaufman 2015, USA The original Anomalisa was a “sound play” by Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Adaptation), performed before an audience only twice. The “sound” aspect referred to the fact that its main character has a disorder that makes him see everyone with …
Rather than the political surveillance looked at in Brazil, corporate surveillance is the primary focus, though the film’s weak digs at both that and the impersonal nature of our online modern age lack any of the bite of the earlier film. Exploration of the latter idea certainly isn’t helped by the writing of Bainsley, a character lacking in any agency of her own. Thierry is victim to an uncomfortable amount of fetishistic objectification, present even outside of the few scenes in which it contextually makes a little sense. Kim Griest’s well-rounded, independent heroine is just one of the ways in which Brazil still has punch today as a key science fiction work; The Zero Theorem, an effort that never excels, is a light shove at best.
Stop me if you’ve heard this one already: a low-level cog in a comically large bureaucratic environment in a grotesque-looking “future” dystopia struggles in the face of obsolescence and oblivion. The character in question is fundamentally good, but incredibly weedy, their resolve and spirit having been ground to stumps by the world around them.
Though writer Pat Rushin scripted and conceived the story of The Zero Theorem, one can be forgiven for assuming Terry Gilliam came up with the narrative himself, being that it comes across as the work of someone who either saw every film Gilliam’s ever made or just happened to direct them. Indeed, The Zero Theorem sees Gilliam very much in his storytelling and thematic comfort zones, though sadly to diminishing returns. It openly scrounges scraps from earlier efforts, especially Brazil, but has little idea how to develop its ever so slightly different ideas beyond thin sketches.
The Lady Directed by Luc Besson Written by Rebecca Frayn France, U.K., 2011 Actress Michelle Yeoh has come a long, long way in her career as an international star. That is not to say that her beginnings were paltry when compared to the status she has now attained, only that her filmmography spans a great …