Edinburgh International Film Festival

‘Amy’: A bleak yet honest documentary by Senna director Kapadia

EIFF 2014: ‘I Believe in Unicorns’ is a fanciful ode to the American road movie

EIFF 2014: ‘Hardkor Disko’ is an incendiary film about a disaffected generation

EIFF 2014: ‘Uncertain Terms’ is an intimate portrayal of love and human weakness

EIFF 2014: ‘Letter to the King’ is a warm and compassionate ensemble piece

EIFF 2014: ‘Fish & Cat’ is Iranian unease filtered through one seemingly unbroken shot

EIFF 2014: ‘Stations of the Cross’ is an outstanding formal achievement

EIFF 2014: ‘Hyena’ is a brutal example of British nihilism

EIFF 2013: Wang Bing’s ‘Three Sisters’ is a lengthy but hugely effective observational portrait

EIFF 2013: Glasgow rom-com ‘Not Another Happy Ending’ is vibrant but insubstantial

EIFF 2013: ‘Blackbird’ is a sensitive portrayal of Scotland’s vulnerable folk tradition

EIFF 2013: Harry Dean Stanton profiled in the terrific ‘Partly Fiction’

EIFF 2013: ‘Before Snowfall’ follows its protagonist on a nuanced, multicultural journey

EIFF 2013: ‘Leviathan’ is an immersive sensory experience, depicting a dissonant, alien world

EIFF 2013: ‘Sanctuary’ is better when it stays simple

EIFF 2013: ‘Celestial Wives of the Meadow Mari’ is an exuberant, theatrical ethnography

EIFF 2013: ‘The Sea’ is a well-acted but lethargic exploration of memory

EIFF 2013: ‘Magic Magic’ is a superbly claustrophobic and strange thriller

EIFF 2013: ‘Oh Boy’ is an intelligent and effortless slacker comedy

EIFF 2013: ‘Beijing Flickers’ is a poignant portrait of those being left behind

EIFF 2013: ‘A Story of Children and Film’ is an enthralling, distinctive cine-essay

EIFF 2013: ‘Lunarcy!’ is an affectionate, witty documentary about colonising the moon

EIFF 2013: ‘Pluto’ is an intelligent thriller about privilege and fear