Edinburgh International Film Festival

EIFF 2013: ‘Traffic Department’ is a rush of bad cops and bad behaviour

EIFF 2013: ‘The Deep’ is a well-shot but modest disaster movie

EIFF 2013: ‘A Long Way from Home’ has a very good performance but some major characterisation issues

EIFF 2013: ‘Breathe In’ is a compelling, quietly breathtaking drama

EIFF 2012: ‘Berberian Sound Studio’ is a mesmerising thriller, recalling Italian horror, Polanski and Lynch but offering its own unique atmosphere

EIFF 2012: Mania Akbari’s ‘One Two One’ is an enthralling, rhythmical film

EIFF 2012: ‘Lawless’ is disappointingly unremarkable in nearly all respects

EIFF 2012: Mark Cousins’ ‘What Is This Film Called Love?’ a charming film poem for those open to its candidness

EIFF 2012: Johnnie To’s ‘Life Without Principle’ is a compelling portrait of greed and desperation

EIFF 2012: ‘V/H/S’, like most anthology features, is too wildly inconsistent to provoke a wholly positive response

EIFF 2012: ‘Isn’t Anyone Alive?’ is, ironically or not, frequently lifeless

EIFF 2012: ‘Hospitalité’ is a Buñuel-like pleasure

EIFF 2012: ‘Fred’ has some potency, but is too light to leave a strong impression

EIFF 2012: Remake of Refn’s ‘Pusher’ deviates little and adds nothing engaging

Highlights of the upcoming Edinburgh International Film Festival