Fantasia

Fantasia 2012: ‘Monsters Club’, for all its violent ideas, is poetic and graceful

Fantasia 2012: ‘Errors of the Human Body’ is disturbing, but not because of any mistakes

Fantasia 2012: ‘The Sword Identity’ has a unique indentity indeed

Fantasia 2012: ‘Wrong”s divisiveness makes it right for some, terribly wrong for others

Fantasia 2012: Follow the freaky, bleak ‘Toad Road’

Fantasia 2012: Beware! Your favourite food bites back in ‘Dead Sushi’!

Fantasia 2012: ‘Punch’ packs a surprisingly light touch

Fantasia 2012: If ‘Hard Romanticker’ is in love with anything, it’s hardcore violence

Fantasia 2012: ‘Doomsday Book’ does not fully come together

Fantasia 2012: Humour conquers all in ‘Lloyd the Conqueror’

Fantasia 2012: ‘Black Pond’ shines the spotlight on dark humour

Fantasia 2012: Love enters the belly of the ‘Beast’

Fantasia 2012: Michael Biehn Refuses to be ‘The Victim’

Fantasia 2012: Benson and Moorhead Give Us ‘Resolution’ to Tired Horror Tropes

Fantasia 2012: ‘V/H/S’ – a film effective in turning voyeurism into horror

Fantasia 2012: ‘A Boy And His Samurai’ a sweet, whimsical, funny, poignant, family fantasy

Fantasia 2012: ‘Carré Blanc’ – a solid directorial debut even if its dystopic themes feel borrowed

Fantasia 2012: ‘Juan Of The Dead’ manages to overcome any zombie fatigue

Fantasia 2012: ‘The Human Race’ is Both Cruel and Inspiring

Fantasia 2012: ‘Resolution’ will surprise and confound

Fantasia 2012: ‘Under the Bed’ sends old school shivers down our spines

Fantasia 2012: Possession (1981) and the Cinema of Hysteria

Fantasia 2012: ‘Sushi Girl’ – delirious, demented, raw and bloody