Fantasia

Fantasia 2015: “Marshland” is a gripping procedural about the effects of violence

Fantasia 2015: ‘The Interior’ a fascinating and patient study of the onset of madness

Fantasia 2015: “Dark Places” is weighed down by boring characters

Sion Sono’s ‘Love & Peace’ – a genre-busting scene-to-scene surplus of cinematic lunacy

‘The Blue Hour’ Movie Review – is sexy, intimate and full of dread

Fantasia 2015: ‘Synchronicity’s’ obtuse storytelling and excellent visuals make for a mixed bag

‘The Reflecting Skin’ Movie Review – a gothic masterpiece that is criminally overlooked

‘Kung Fu Killer’ attempts to be something more, half succeeds

Fantasia 2015: ‘100 Yen Love’ is a unique boxing drama

Fantasia 2015: ‘We Are Still Here’ – What’s not to love?

‘I Am Thor’ Movie Review – makes for the most memorable screening at the Fantasia Film Festival

Fantasia 2015: ‘Extinction’ is a clumsy melodrama

Fantasia 2015: ‘Deathgasm’ is the best Kiwi horror/comedy since ‘Dead Alive’

‘Catch me Daddy’ Movie Review – features star-making performance from Sameena Jabeen Ahmed

Fantasia 2015: ‘Bridgend’ is a grueling, compelling experience

Fantasia 2015 Must See Films (Week Two)

Fantasia 2015 Must See Films (Week One)

New Projects: Clint Eastwood to direct biopic of Captain “Sully” Sullenberger

‘Le diable est parmi nous’ a/k/a ‘Satan’s Sabbath’ is part of the dark, sleazy recesses of Quebec’s cinematic past

Fantasia 2014: ‘Welcome to New York’ and the war of pleasure

Fantasia 2014: ‘Aux yeux des vivants’ offers lazy filmmaking and few scares

The Chernabog – Scaring Our Inner Child

FRONTIÈRES International Co-Production Market Unveils 4th Edition