George Clooney

‘From Dusk Till Dawn’ turns 20: Horror and the Tarantinoverse

‘Our Brand is Crisis’ is toothless satire

‘Tomorrowland’ inspires only disappointment

Last Night on Late Night, 5/19/15: Bill Murray hops out of a cake and James Corden works in a deli

Tom Ford unveils follow-up to ‘A Single Man’, ‘Nocturnal Animals’

Week in Review: Liam Neeson is working on a movie with Bono (maybe)

Week in Review: Make a horror movie with Guillermo Del Toro

Being Batman: The Actors Underneath the Cowl

A Dark Stain: The Infamous ‘Batman & Robin’

‘The Monuments Men’ wastes an excellent ensemble in a dull, uninspired WWII-set heist story

Steven Soderbergh Month: Soderbergh, Clooney, and the nature of celebrity

Steven Soderbergh Month: Time is a puzzle to solve in ‘The Limey’

Steven Soderbergh Month: ‘Ocean’s Thirteen’ a confident final entry in a star-filled trilogy

Steven Soderbergh Month: ‘Solaris’ is the director at his most sentimental

‘Ocean’s Twelve’ a deliciously self-aware sequel musing on the challenges of stardom

‘The Good German’ is Soderbergh’s paean to old war films

‘Ocean’s Eleven’ a reaffirmation of old-fashioned stardom

2001: A Directorial Oddity – Soderbergh, Shyamalan, and Richard Kelly 12 Years Later

‘Gravity’ a visual stunner that lacks character complexity

Elmore Leonard Month: Out of Sight is sleek, sexy fun

Argo and the Search for Historical Authenticity

Extended Thoughts on ‘Pirates of the Caribbean: The Curse of the Black Pearl’

BAFTAs 2012 – Who’s going to win? Part 2