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To Better Know a Team: Fantastic Four

The Fantastic Four are the first family of Marvel Comics. Created in 1961 by Stan Lee and Jack Kirby (apocryphally, the result of an edict by Marvel publisher Martin Goodman to tryout a superhero team, a la rival DC Comic’s super-successful Justice League) and heavily inspired by the monster comics Marvel was publishing at the time, their tremendous popularity and success is responsible for launching Marvel’s Silver Age superhero renaissance, transforming a middling publisher of romance and sci-fi comics into one of the “Big Two” publishers of superhero adventure stories, leading to the creation of some of pop culture’s most enduring and beloved characters. Without the Fantastic Four, there would arguably be no Spider-Man, no Hulk, no X-Men or Avengers. Fantastic Four #1 is, simply, the Big Bang of Marvel Comics.

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Boba Fett movie planned as next ‘Star Wars’ spinoff

More Star Wars spinoffs are inevitable. And everyone in the universe, from Han to Chewie to Lando to Leia, could all have one. Gareth Edwards is working on Rogue One, which in 2016 will tell the story of how rebels stole the plans for the Death Star, ultimately leading to the events of A New …

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‘Stabbing at Leia’s’ an early ‘Star Wars’ short film by ‘Chronicle’ director Josh Trank

  I’m a huge fan of the superhero film Chronicle, so I thought it would be fun to post this short film from director Josh Trank. Much like Chronicle, the short titled Stabbing at Leia’s uses the found-footage approach to great effect. While the quality of the video isn’t great, the premise is. Trank is …

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Micheal B Jordan, Race and Reactions, and The Fantastic Four

There’s been something of an uproar on some forums about Chronicle co-star Michael B. Jordan possibly becoming Johnny Storm in Josh Trank’s reboot of the Fantastic Four. The overwhelmingly controversial debate is for the most part centred on Jordan’s race and the replacing of traditionally Caucasian characters with other races. Some of these comments, despite …

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Ricky D’s 50 Favourite Films of 2012 (Part Two)

  25: The Dark Knight Rises Directed by Christopher Nolan Screenplay by Jonathan Nolan and Christopher Nolan 2012, USA The Dark Knight Rises feels as if it was made up of two equal halves, with the most critical moment of the film breaking the movie in half, almost literally. While the second half may have …

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Ricky D’s 50 Favourite Films of 2012 (Part One)

2012 wasn’t a bad year for movies. It was actually a great year. The problem is, the movies we were most anticipating, specifically the Hollywood blockbusters like Prometheus and The Hobbit, didn’t live up to our expectations. With that said I still managed to make a list of 50 films I loved. Maybe I just …

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2012′s Great Movie Moments: February

At the end of each month, the Sound On Sight staff will band together to write an article about their favourite scenes in films released. Here are our favourite scenes from the month of February. **** A Separation – Opening scene A Separation opens with a simple but wonderful stationary shot that quickly sets everything …

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‘Chronicle’ a haiku for us mentally tortured social outcasts of high school hell

Chronicle Directed by Josh Trank Screenplay by Max Landis 2012, UK / USA Director Josh Trank and screenwriter Max Landis (son of filmmaker John Landis), put a fresh, invigorating spin on the superhero origin story, with Chronicle, a movie so sleek and incredibly ultra-portable, it suggests better things to come from the duo. The two …

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‘Chronicle’ offers a fresh take on both superpowers and found footage

Chronicle Directed by Josh Trank Written by Max Landis 2012, USA /  UK The more comic books one has read, the less original the plot of Chronicle might seem. The idea of “what would happen if real teenagers got real superpowers in the really real world” has been done many times in that format, and …

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‘Chronicle’ the most interesting and watchable superhero origin since ‘Batman Begins’

Chronicle Directed by Josh Trank Screenplay by Max Landis 2012, UK / USA There’s no more horrifying an idea than one film being both a super hero and found footage vehicle. On their own, they are blights on the release schedule; putting them together in one picture is unutterably disheartening. The unlucky product of this …

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