Matt Damon

The Martian 01

TIFF 15′ – ‘The Martian’ is sci-fi at its finest

The Martian is a fantastic movie — it cannot be stated quickly enough. Ridley Scott’s film about a man stranded on Mars after his crew evacuates without him is the director’s best work in years. The Martian features a stellar supporting cast, a well written script that’s clever and funny, and an Oscar caliber performance from a Hollywood A-lister at the top of his game.

Steven Soderbergh Month: Soderbergh, Clooney, and the nature of celebrity

Both Soderbergh and Clooney have tackled many different questions over their careers, but together, they consistently aim to understand celebrity in all of its glory and danger. The pair seem to inherently understand the allure of movie stars, and their most successful collaborations are celebrations of those we elevate above the status of “actor” and to the level of pop culture Gods.

‘Ocean’s Twelve’ a deliciously self-aware sequel musing on the challenges of stardom

Ocean’s Twelve has a reputation that will always precede it; some have called it an anti-sequel, and publications like Entertainment Weekly have dubbed it one of the worst sequels of all time. Though both reactions are, perhaps, understandable, neither is remotely accurate. Ocean’s Twelve is an inherently self-aware sequel, possibly the most self-aware follow-up in modern history. What Steven Soderbergh, screenwriter George Nolfi (whose original script, Honor Among Thieves, was completely unrelated to Ocean’s Eleven and was sold initially before that remake had been released), and the slightly larger-than-before ensemble cast did was make a sequel to a critically and commercially lauded caper film that was wholly cognizant of the fact that it was a sequel to a critically and commercially lauded caper film. Ocean’s Twelve toys with audience expectations, because to cave into them would’ve promised something potentially more disturbing and commonplace than what many perceived to be an ambitious creative flop: something boring.

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