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Robert Altman

Men, Women, Anderson and Altman: On ‘The Master’ and ‘3 Women’

Men, Women, Anderson and Altman: On ‘The Master’ and ‘3 Women’

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screenshot from The Social Network

The Definitive Best Picture Losers

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New on Video: ‘Buffalo Bill and the Indians, or Sitting Bull’s History Lesson’

New on Video: ‘Buffalo Bill and the Indians, or Sitting Bull’s History Lesson’

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The Past, Present, and Future of Real-Time Films Part One

The Past, Present, and Future of Real-Time Films Part One

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Thieves Like Us - Keechie - Shelley Duvall

‘Thieves Like Us’ shows Robert Altman’s relationship with the American South

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‘Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean’ and the false promise of 1980s America

‘Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean’ and the false promise of 1980s America

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‘McCabe & Mrs. Miller’ and the revisionist Robert Altman

‘McCabe & Mrs. Miller’ and the revisionist Robert Altman

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‘Nashville’ and the new American musical

‘Nashville’ and the new American musical

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‘MASH’ and Robert Altman: an enduring legacy

‘MASH’ and Robert Altman: an enduring legacy

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Altman’s Unsung ’70s

Altman’s Unsung ’70s

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New on Video: Robert Altman’s ‘Nashville’

New on Video: Robert Altman’s ‘Nashville’

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Director and Actress Duos: The Best, Overlooked, and Underrated

Director and Actress Duos: The Best, Overlooked, and Underrated

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Director & Actor Teams: The Overlooked & Underrated (Part 2 of 2)

Director & Actor Teams: The Overlooked & Underrated (Part 2 of 2)

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‘The Long Goodbye’ deconstructs the Philip Marlowe character

‘The Long Goodbye’ deconstructs the Philip Marlowe character

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They Are As We Are: The Criterion Collection presents ‘Short Cuts’

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Ten greatest Films about America

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