Ron Perlman

The Mythology and Symbolism of ‘Drive’

It is always a little special when a film that on the surface bears no signs of ulterior motive becomes the subject of mass deconstruction by a plethora of critics, casuals and the insane. Case in point would be Sound on Sight’s film of 2011, Drive.

Sons of Anarchy, Ep. 6.01: “Straw” welcomes viewers back to Charming

While Sons of Anarchy creator Kurt Sutter tends to favor the music montage sequence for beginnings and/or ends of episodes, this season six premiere – “Straw,” which may also be the penultimate season premiere for this series, since it is only planned to run through seven seasons – opens with a montage set to Jax’s narration as he reads from a journal entry he is writing for his sons.

‘Pacific Rim’ a sometimes thrilling fever-dream mishmash of summer movie tropes

If Calvin and Hobbes, those most delightful and beloved comic-strip characters, made a monster movie out of one of their fever-dream playtime japes, it would probably look a great deal like Pacific Rim. The sweaty, breathless determination with which the film’s main concept plays out, as well as how frequently it aims to top itself, is both charming and a mild hindrance. (Cartoonist Bill Watterson was able to get away with such boyhood tomfoolery because he was working with a much shorter amount of space and time.) Co-writer and director Guillermo del Toro has broken free of his almost quaint, homemade style in Pacific Rim, delivering, in many ways, the ultimate summer movie, for good and ill.

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