Science Fiction

The Conversation: Drew Morton and Landon Palmer Discuss ‘The Day the Earth Stood Still’

Interview with ‘Descender’ Creators Jeff Lemire and Dustin Nguyen

‘The Martian’ thrills with human ingenuity instead of mindless action

‘Xenosaga’ Revisited, Part 3: Thus Spoke Zarathustra (and the industry)

Jonathan Nolan to develop Asimov’s ‘Foundation’ Trilogy for television

Television that Home Video Forgot: Something Is Out There (1988)

‘Xenosaga’ Revisited, Part 2: Beyond Good and Evil (and creative control)

‘Lucy’ is the guiltiest of pleasures

‘The Machine’ a striking sci-fi experience in spite of a glitchy script

The Most Anticipated Science Fiction Films of 2014

How ‘Akira’ is a cautionary tale about the dangers of anger

‘Gravity’ a visual stunner that lacks character complexity

Fantastic Fest 2013, Day One Report: ‘Coherence’ and ‘On the Job’

Montreal Comiccon 2013; Battlestar Galactica Reunion

‘Station to Station’ fun, but Fizzles

Mister X: Eviction #1 Serves as a Fantastic Reintroduction to a Classic

How Doctor Who Conquered Television, Again

Lost Vegas, a Crazy Concept with even Crazier Visuals

Fringe, Ep. 4.22, “Brave New World (Part 2)”: Finale makes most of troublesome setup

Fringe, Ep. 4.20, “Worlds Apart”: Bittersweet ep bids fond farewell to groundbreaking chapter

Fringe, Ep. 4.18, “The Consultant”: Continued focus on character keeps series on track

Fringe, Ep. 4.17, “Everything In Its Right Place”: Character study puts series back on track

Fringe, Ep. 4.16, “Nothing As It Seems”: Half intriguing sci-fi, half hokum