Fans of The Legend of Zelda series have wanted a …
In a month full of horror and malevolent covens and blood-curdling scares, I offer now the soothing respite of Hayao Miyazaki’s beautiful and serene Kiki’s Delivery Service. Possibly Miyazaki’s most under-appreciated film, it is surely his most modest, which I mean as a compliment. It is the epitome of Miyazaki’s quiet filmmaking, letting the soft emotion and warm aesthetics of the animation do most of the talking. The fact that Kiki is a witch is rather beside the point, because this is a coming-of-age story for a young girl committed to helping others but forgetting about herself.
Taking many of its features from Studio Ghibli mainstays, Isao Takahata’s latest film The Tale of Princess Kaguya tackles an age-old folktale from Japan, bringing the studio’s warmth and childhood imagination to a mythic scale. It’s based upon The Tale of the Bamboo Cutter with a visual style imitating children’s storybooks or perhaps the scroll of the tale itself. It’s an act of wonderment to be in the presence of fluid, beautiful hand-drawn animation in a time clamoring for more and more computers at play, but the nostalgic value only barely supersedes its rough-and-tumble approach to adapting the anti-fairy-tale to the big screen.