After last week’s brutal and hard-hitting climax at the wildling fort of Hardhome, a jaw-dropping scene that has literally been built upon and foreshadowed since the opening moments of the first episode, fans could be forgiven for expecting this week to pale in comparison. Luckily “The Dance of Dragons” only amped things up further in preparation for the finale, building an hour that encapsulates what may be the most horrifyingly emotional moment in the shows history and then matches it with a scene of triumph so glorious that the audience is shaken to the core.
“I’m a spy. I know shit.”
That line, spoken by John Redmond, is funny in the moment, but begins to feel ironic by the end of the episode. Practically everyone is off their game this week, with an abundance of questionable decisions leading to Saul getting kidnapped. By this point, we’ve spent plenty of time with Carrie, Saul, Quinn, even Fara. We know what they can do, we know how good they are at their jobs…except when the writers need them to be stupid. It all feels overly telegraphed, to the point where these uncharacteristic decisions not only frustrate on a plot level, but a character one too. It’s reminiscent of how a show like Family Guy treats its characters and its continuity, which is an unfortunate comparison to make with a high profile prestige drama.
“Too late” was the operative phrase for Boardwalk Empire’s final hour. Too late for salvation, too late for romance, too late for redemption, and ultimately, too late for survival.
Three seasons ago Enoch “Nucky” Thompson met his former protege, Jimmy Darmody, in a dusty field and told him that he wasn’t seeking redemption. And then he shot him in the head. Twice. Things have changed.
Two of Boardwalk Empire’s most longstanding veterans waved the long goodbye tonight in one of the hardest, heaviest, and most integral episodes the series has ever delivered.
As Boardwalk Empire rounds the curve toward its curtain call, we’re given an episode that moves things along nicely while calling several characters to account for their actions.
With “Cuanto” we mark the halfway point of the final season, and its first major death. As fans of Boardwalk will attest, though, the only real surprise was that it took as long as it did. If you were running the numbers in Vegas, or Atlantic City for that matter, the odds would come up quick that there will likely be a lot more to come. If only Arnold Rothstein was still around to roll the dice on that one.
“What Jesus Said” opens with Chalky and his loose cannon partner breaking into the house of the latter’s former employer. In what is easily the low point of the episode, Chalky’s plot consists of balancing precariously between his edgy accomplice, Milton, and the a mother and daughter whom they have taken hostage. Although on paper, the idea might sound engaging, it plays out in a mostly uninspired manner due to the fact that Chalky isn’t given a whole lot to do. These scenes, which take up roughly 1/3 of the main plots explored this week, consist widely of three other characters who we are given little emotional investment in.
There are revelations aplenty as we catch up with a few more members of the cast after the crash, and in the beginnings of the Great Depression. Gillian is seen early on under surprising circumstances; in not a prison, but a mental institution. Her initial sequence, in which she dozes comfortably in a steam bath while discussing frivolities is rapidly dissipated when one of her fellow patients loses control over a radio program, and riles up the other patients in kind.
There is an air of finality to even this first episode of Boardwalk Empire’s final season. From the opening scene to the final moments, “Golden Days for Boys & Girls” has the distinct feeling of a ticking clock. Ironically while the episode takes its sweet time, from skipping out on several of the shows most notable characters to adding in a recurring flashbacks of the childhood of the Thompsons, it only further solidifies the fact that this is the end. Like the last ruminating drink of a dying man, the simplest of things only matter more with the end in sight.
I left Hall H a bit dispirited to say the least, but trudged forward determined to make the most of my final day at ComicCon. After meeting up with Todd VanDerWerff to record about the convention for the Televerse, I headed to the exhibit floor, hoping to snag a few gifts for my friends less …