‘Mad Max’ is the beginning of the end of the world

‘Toren’ is an ugly, clunky, unfinished mess of a game

The Fantastic Film

Veep, Ep 4.05: “Candidate” sees more shakeups in Meyer’s team

Silicon Valley, Ep. 2.05, “Server Space” shows how pride drives the show

The Good Wife, Ep. 6.22: “Wanna Partner?” puts a troubled season out of its misery

Game of Thrones, Ep. 5.05: “Kill the Boy” a focused, methodical middle entry

Last Night on Late Night, 5/8/15-5/10/15: Oliver on maternity leave and a recap of Friday

“We Can Be Heroes”: On Jane The Virgin and Invisibility in Media

Penny Dreadful, Ep. 2.02, “Verbis Diablo” sets the pieces in motion

‘No Mercy’ #2: Send in the Wolves

‘Final Fantasy XIII’: The low-hanging fruit of the ‘Final Fantasy’ franchise

‘Meru’ Co-Directors and Subjects Talk Mountaineering

Madam Secretary, Ep. 1.18 to 1.22 confidently closes off its first year

Outlander, Ep. 1.14, “The Search” sings and dances for you

Saturday Night Live, Ep. 40.20, “Reese Witherspoon/Florence + The Machine” has both the best and worst sketch of the season

‘Convergence’ #5: rusty robots and wasted wizards

Kael Vs. Kane: Pauline Kael, Orson Welles and the Authorship of Citizen Kane

Hearts of Darkness: Sora, and the real heroes of ‘Kingdom Hearts’

Orphan Black, Ep. 3.03-04 continue to splinter the season

‘Splatoon’ previews its online features with the Global Test Fire

Contraire to Marvel’s CEO: why there’s hope for female superheroes behind the camera

Hey Montreal! Win tickets to an advanced screening of ‘Poltergeist’