SXSW 2015: ‘Honeytrap’ fails to generate emotion despite its melodramatic subject matter

SXSW 2015: ‘Disaster Playground’ takes a gonzo look at the end of the world

On ‘Cinderella’ and feminism; How Branagh and Weitz altered the glass slipper

‘Divinity’ #2 questions the desires of humanity

Agents of SHIELD, Ep. 2.13, “One Of Us”: Kyle Maclachlan’s Super-Villain Squad

‘Batgirl’ #40 concludes its arc on an up note

Community Ep 6.01 & 6.02 “Ladders”/”Lawnmover Maintenance and Postnatal Care” marks a welcome return for an old friend

The Flash, Ep. 1.15, “Out of Time” boasts a heady script, stunning performances and an explosive reveal

SXSW 2015: ‘God Bless the Child’ thoughtfully examines childhood and familial bonds

iZombie, Ep. 1.01: “Pilot” works on developing the main character

‘American Hustle’: A Nostalgic Look Back

Spartacus: Blood and Sand, Ep. 1.06: “Delicate Things” is a web of lies

Justified, Ep. 6.09: “Burned” rollicking enough to forgive a patchy plot

‘Howard the Duck’ # 1: A Wild Goose Chase

Better Call Saul, Ep. 1.07, “Bingo”: Doing the right thing is costly

Dave Perillo’s second latest Treehouse of Horror print

SXSW 2015: ‘Welcome to Leith’ weaves a bizarre and enthralling tale

Kevin Smith confirms ‘Mallrats 2’ is coming because he wants to have fun

SXSW 2015: ‘The Avian Kind’ is as beautiful to behold (and as hard to grasp) as its namesake

The Originals, Ep. 2.16, “Save My Soul” spotlights Freya’s tragic history

Clint Eastwood says both he and ‘American Sniper’ are anti-war

Swedish vampire novel ‘Let The Right One In’ to be adapted for television

Nintendo Venturing into Smartphones and Tablets