SXSW 2015: ‘Room 237’ director Rodney Ascher explores the horrors of sleep paralysis in ‘The Nightmare’

Chris Rock working on a new movie with his ‘Top Five’ cast returning

Joseph Gordon-Levitt to head to ‘Fraggle Rock’ as a star and producer

Jonathan Nolan had a darker, bleaker ending for ‘Interstellar’

I for Iran: Interviews with Brad Deane and Amir Soltani

‘Plunder Road’ is a fast paced, ruthlessly efficient heist adventure

Arrow Ep. 3.16 “The Offer” holds itself back as it pushes forward

‘Creative Control’ Movie Review – wraps well-worn ideas in a shiny new package

Fortitude, Ep. 1.08 & 1.09: “Episode Eight” and “Episode Nine” sees the town’s paranoia grow

Broad City, Ep. 2.10, “St. Mark’s” ends the season strong

‘Kumiko, the Treasure Hunter’ plays beautifully in an unreal space

The Conversation: Drew Morton and Landon Palmer discuss ‘Blow-Up’

Where Next for Nintendo?

‘Teen Titans’ #8: The Kids Are Socially Alright

‘Insurgent’ is a listless sci-fi soap opera

Meet the Zen master of piano in ‘Seymour: An Introduction’

‘The Cincinnati Kid’ & ‘The Sting’ – Two of the Best Poker Movies

The Americans, Ep. 3.08: “Divestment” challenges the viewer’s sympathies

‘Dredd’ will not be getting a sequel, says writer Alex Garland

‘Ei8ht’ #2: a second chance

Hannah Horvath of ‘Girls’ joins, immediately quits, ‘Late Night with Seth Meyers’ writers’ room

‘The Facts of Life’ gets the oral history treatment

New Projects: Benghazi, Jesse Owens, and ‘Hail, Caesar!’