New on Video: ‘La Dolce Vita’

Gotham, Ep. 1.06, “Spirit of the Goat” is Harvey Bullock’s finest hour

Tombstone Tuesdays: H.P. Lovecraft’s Re-Animator

Sleepy Hollow, Ep. 2.06, “And The Abyss Gazes Back”: Hungry like the wendigo

Tokyo 2014: ‘Los Hongos’ succeeds in conveying a vivid movement in Colombia’s youth culture

The Originals, Ep. 2.04, “Live and Let Die” creates unexpected character connections

Critically acclaimed ‘Criminal’ comes to Image with one-shot and trade paperbacks

The Affair, Ep. 1.03: “3” explores the characters’ secondary relationships

‘Jim Henson’s Storyteller: Witches’ #2 plays with form in order to haunt readers

Tokyo 2014: ‘The Connection’ tells the European side of events of the infamous drug operation

The Walking Dead, Ep. 5.03, “Four Walls and a Roof”: An emotionally devastating hour of television

Benedict Cumberbatch is cast as ‘Doctor Strange’

Homeland, Ep. 4.05, “About A Boy” an uneasy hour of bad choices

‘The Tenant’ is a psychological puzzle

‘V/H/S: Viral’: Same problems, but also similar thrills

The Good Wife, Ep. 6.06: “Old Spice” struggles to juggle disparate tones, stories

Boardwalk Empire, Ep. 5.08: “Eldorado” leaves only the dust and ash of regret

Satanic Sunday: Cults devoted to the Devil

Chaos!: The Chosen is a Lukewarm Venture Through the Supenatural

Quentin Dupieux’s ‘Réalité’

‘Automata’ feels too slight and ripped off to be successful sci-fi

Tokyo 2014: ‘The Last Reel’ a resonating testament to the power of cinema

Tokyo 2014: ‘The Days Come’ a fitting way to introduce Romain Goupil to new audiences