Week in Review: What do Adam Sandler’s Netflix movies mean for Hollywood?

Z Nation Ep. 1.04, “Full Metal Zombie”: Unapologetic parody moves quickly, as usual

The Bridge 2.13 “Jubilex” rushes to the finish line

Gracepoint, Ep.1.01, “Episode 1” sets about forging its own path

‘The Massive’ #27: Inconsistent But Intelligent, Unique

‘Hellraiser’ Book 3: Beauty comes in at the eye

The Pixar Theory: Timeline Explained

NYFF 2014: ‘Mr. Turner’ a visually sleek and emotionally gruff reflection on an artist’s life

NYFF 2014: ‘Iris’ – The Meh-est Costume for Today

The Best Independent Comics from Pittsburgh Comicon

‘The Blair Witch Project’ – seeing is believing, but hearing is much more persuasive

The New Main Man Gets Ready to Ride in Lobo #1

2014 Returning Fall Series You Should Be Watching: Comedy

Foreign Horror Fridays: ‘The Fall of the House of Usher’ an early surrealist manifesto

‘Alan Wake’ caps a waking nightmare with transcendant surrealism

Reign, Ep. 2.01: “The Plague” begins the season with high stakes

NYFF 2014: Hello, “Goodbye” – Jean-Luc Godard’s ‘Goodbye to Language’

‘Annabelle’ conjures very few scares

‘Men, Women & Children’ is an ambitious mess

‘Gone Girl’ is a perfect mix of thriller and black comedy

Scandal, Ep. 4.02, “The State of the Union” is tinged with death

Clint Eastwood and Bradley Cooper team up for ‘American Sniper’

The Definitive Scary Scenes from Non-Horror Films: 50-41