‘Spec Ops: The Line’ tells a conflicted tale

Blu-ray Review: ‘Death Occurred Last Night’ a troubling piece for the giallo canon

Why You Should Be Watching: Endeavour

24: Live Another Day, Ep. 1.01 and 1.02: “11:00 AM – 12:00 PM” and “12:00 PM – 1:00 PM” bring Jack and Chloe back together

‘Blow Out’ and ‘Blowup’: examining two masterpieces

SFIFF 2014: Richard Linklater Receives Founder’s Directing Award, Debuts “Boyhood”

‘Okami’, the novel of games

Why You Should Be Watching: Hannibal

Mad Men, Ep. 7.04: “The Monolith” challenges Roger and Don to do the right things

Veep, Ep 3.05: “Fishing” reveals Meyer’s campaign manager

Louie, Ep. 4.01-02, “Back” and “Model” see the series return in style

Believe, Ep. 1.09, “Prodigy” shows the Orchestra recruitment process

Grimm, Ep. 3.20, “My Fair Wesen” a focused, but forgettable hour

Da Vinci’s Demons, Ep. 2.07: “The Vault of Heaven” is limited by its multiple stories

Why You Should Be Watching: Person of Interest

Elementary, Ep. 2.22: “Paint It Black” is a solid evolution of the Mycroft arc

Game of Thrones, Ep. 4.05: “First of His Name’ brings the show’s greatest mastermind to light

The Good Wife, Ep. 5.20, “The Deep Web” finds Alicia saying “no”

Orphan Black, Ep. 2.03, “Mingling Its Own Nature With It” adds new pieces to the puzzle

De Palma’s ‘The Fury’ is dominated by one incredible set-piece after another

“Angel & Faith: Season 10” #1 is an Aesthetic Return to Angel’s TV Roots

The Nostalgia Files: ‘Memoirs of an Invisible Man’ (1992)

Vikings 2.09 & 2.10 are carefully plotted, but suffer for it