To Better Know a Hero: Ultimate Spider-Man, The Boy Who Slayed A Monster

In ‘The Protector 2’, Tony Jaa becomes a victim of his own success

How The Mindy Project bested Doctor Who

Hannibal Ep 2.10 “Naka-Choko” a rare misfire

‘Jaws 3D’: Cheap Carny Tricks and SeaWorld Sharks

The Vampire Diaries, Ep 5.20: “What Lies Beneath” sees the Other Side destabilise further

The Best Indie Comics of C2E2

De Palma’s ‘Carlito’s Way’ is a different kind of gangster film

Bruno Dumont’s P’tit Quinquin and the Future of Foreign Language Television

Light emerging from the shadows: SOS staff members share their thoughts on noir

‘The Amazing Spider-Man 2’ too overloaded with new characters to rise above mediocrity

‘Decoding Annie Parker’ a well-intentioned but unfortunately flawed biopic

‘Watermark’ a beautiful documentary that would’ve succeeded without talking-head context

New on Video: ‘Men in War’

‘Blue Ruin’ an excellent, thoughtful, and intense meditation on the consequences of revenge

To Better Know A Hero: Spider-Man

‘Hateship Loveship’ too loose and superfluous to make much of an impact

Person of Interest Ep. 3.21 “Beta” is cliched but narratively necessary

The Americans, Ep. 2.10, “Yousaf” forces things to get interesting

Conventions: A Survival Guide for First Timers

Glee, Ep 5.18, “Back-up Plan” is overly ambitious

Revolution, Ep. 2.19: “S#I& Happens” reveals another side to the nanobots

To Better Know A Villain: Norman Osborn, Spider-Man’s Number One Foe