‘The Awakening’ is delightfully old-fashioned

‘The Expendables 2’ is, at the very least, better than its disastrous predecessor

MIFF 2012: “Shadow Dancer” moves beautifully to an all too familiar tune

MIFF 2012: ‘NO’ might be a hard sell, but is definite YES material

‘360’ is an overload of flatness from Meirelles and Morgan

Jo Nesbø’s ‘Jackpot’ has macabre comedic thrills, though flounders a bit in its finale

Move over, ‘Total Recall’: 10 more remakes you’ll want to avoid

‘The Odd Life of Timothy Green’ feels like it’s still at the drawing board

‘The Odd Life of Timothy Green’ is saddled with a contrived and predictable story, yet wholly entertaining

MIFF 2012: “Modest Reception” may warrant little more than just that

‘Arbitrage’ is a slick suspense thriller that consolidates its few valuable assets

Grimm, Ep. 2.01: “Bad Teeth” explores a Grimm family reunion

‘About Cherry’ is more one-dimensional and sleazy than incisive

Alphas Ep. 2.4, “When Push Comes to Shove” sends Nina to the brink

They Shot Pictures Episode #06: Maurice Pialat

MIFF 2012: According to “100 Bloody Acres”, country roads really are the most dangerous

BFI Hitchcock Season – ‘Saboteur’

Breaking Bad, Ep. 5.05: “Dead Freight” a master class in ruthless audience manipulation

‘Bachelorette’ is a poorly constructed and uninspired comedic mess

MIFF 2012: A heady, spellbinding experience awaits just ‘Beyond the Hills’

Are ‘Go On’ and ‘Animal Practice’ worth your time?

The Newsroom, Ep 1.08: “The Blackout Part 1: Tragedy Porn” is another solid outing for the show

Best of the Fantasia Film Festival 2012