‘Killer Joe’ is like a nasty little uncle you don’t like or particularly trust

2012’s Best TV – So Far

‘Red Lights’ disappontingly contrived and empty

Toronto After Dark Summer Screening: ‘The Pact’ an insidious exercise in atmosphere

Toronto After Dark Summer Screening: ‘Juan of the Dead’ offers a strictly superficial change from the genre norm

EIFF 2012: ‘Killer Joe’ is a captivating force

‘Brave’ is middling effort in the Pixar canon

Eureka Ep. 5.10: “The Honeymooners” exposes spies in Eureka

Eureka Ep. 5.09: “Smarter Carter” proves a good heart is more important than a brain

William Friedkin’s ‘Killer Joe’ a dark, ironic and deadly comic modern noir

Femography: Lucy Walker

EIFF 2012: ‘V/H/S’, like most anthology features, is too wildly inconsistent to provoke a wholly positive response

‘Cloclo’ aims to satisfy Claude François’ fans and little else

EIFF 2012: ‘Isn’t Anyone Alive?’ is, ironically or not, frequently lifeless

I know what you’re going to do this summer: The Toronto After Dark Film Festival Summer Screenings

Hermione Granger vs Bella Swan

‘Alice In Wonderland’ Transit Map

EIFF 2012: ‘Hospitalité’ is a Buñuel-like pleasure

‘Cosmopolis’ would have got the readers of Wired jolly excited a dozen years ago but now feels like a period piece

‘Amour’ Movie Review – really wonders about this crazy little thing called love

Shaw Brothers Saturdays: ‘Asia-Pol’ is a fair attempt at emulating the ’60s spy genre

EIFF 2012: ‘Fred’ has some potency, but is too light to leave a strong impression

Extended Thoughts on ‘Victory Through Air Power’