Eureka, Ep. 5.01: “Lost” sets the tone for the final season

TJFF 2012: ‘This Is Sodom’ is everything the name suggests

‘Dérapages’ asks the tough questions about Québec’s youth behind the wheel

Game of Thrones, Ep. 2.03: “What Is Dead May Never Die” sharpens the focus and readies us for what’s to come

The Amazing Race Ep. 20.08, “Let Them Drink Their Haterade”: Even the Double U-Turn Can’t Save Nary and Jamie

‘My Way’ is a Korean ‘War Horse’

So long, Luce: A mother and son at the movies

Mad Men, Ep. 5.05, “Signal 30”: Conformity and Punishment

TJFF 2012: ‘OSS 117: Lost in Rio’; from the 60’s with love

Wham Moment: 6 Great Game Changers in Film

Grimm, Ep. 1.17, “Love Sick”: Tension deepens as Renard’s plans go awry

Fringe, Ep. 4.18, “The Consultant”: Continued focus on character keeps series on track

Shaw Brothers Saturdays: ‘The Twelve Gold Medallions’ has intense battles, incredible dialogue and a great hero

‘Warriors of the Rainbow: Seediq Bale’ proves you can’t buy success

Clash of the Titanics: two restored re-releases compared

‘Cabin in the Woods’ takes horror self-awareness to new depths

Thursday Comedies: Community 3.15 & 30 Rock 6.17

Dir. Goddard: Or How ‘The Cabin in the Woods’ Has Become The Horror Film To End All Horror Films

Mousterpiece Cinema, Episode 41: ‘Fantasia’

Extended Thoughts on ‘Fantasia’

‘Crime in the Streets’ is melodrama at its best

Survivor: One World Ep. 24.09, “Go Out with a Bang” puts another guy out to pasture

Justified, Ep. 3.13: “Slaughterhouse” ends a strong season in rollicking, macabre fashion