Fantastic Fest ’15: ‘The Missing Girl’ stirs echoes of ‘Splendor’ and ‘Ghost World’

‘The Rocky Horror Picture Show’ – 40 years later and what it says about Janet, glam rock, marriage and Tim Curry

Frictional’s ‘SOMA’ leaves you with a sinking feeling

NYFF ’15: ‘The Lobster’ locates emotional truth in absurdity

VIFF ’15: ‘O, Brazen Age’ – one of the best Canadian films of 2015

‘Frank and the Wondercat’ Movie Review – a beautifully crafted film

‘My Good Man’s Gone’ Movie Review

‘Over The Garden Wall’ #2: Horsing Around

IDW Panel Recap- Ragnarok and TMNT/Batman

‘Fionna and Cake Card Wars’ #3 is Well Written with Minor Flaws

‘Sex Criminals’ #3 is awesome fuel on the hit fire

‘Power Up’ #3 feels slow, but oddly warm

‘The Walk’ Movie Review – falls short of the clouds

‘The Royal Tailor’ Movie Review – Frays at the Seams

‘Hadwin’s Judgement’ Movie Review – Falls Short

Lapsed players should make time for ‘Destiny: The Taken King’

‘The Devout’ Movie Review – shows promise, but can’t find its footing

‘Anomalisa’ Movie Review – a winningly bizarre exploration of love and mental distress

‘Son of Saul’ Movie Review: The Horrors of Genocide

‘Phonogram: Rue Britannia’ #1- Toxic Masculinity, Magic, and Kenickie

‘Transporter 2’, while still fun, takes the crazy level a notch too high

Interview with ‘Archie’ Writer Mark Waid

‘Der Bunker’ Movie Review – is filled with perverse pleasures