Why You Should Start Watching: Transparent

‘Hatsune Miku: Project Mirai DX’ is a musical extravaganza

Fan Expo Canada Journal: Day 1

A Supercut Tribute to Some of the Most Popular Cinematic Heroes and Heroines

‘The Transporter: Refueled’ stays on cruise control

‘Before We Go’ borrows too much from ‘Before Sunrise’

‘Pleasures of the Flesh’ kicked off Nagisa Oshima’s ‘Outlaw ’60s’

Why You Should Start Watching: Marvel’s Agents of S.H.I.E.L.D.

‘Dementia’ offers a plethora of strange visuals, sometimes at the cost of cohesion

‘They Made Me a Killer’ starts sharply, ends up as a dull blade

Samus’ true power lies in not having to explain herself

Mega Man movie on the way, although we are cautiously optimistic

‘Steve Jobs: The Man in the Machine’ is a darker side of Jobs

KCC: Reitzell combines old sounds and new in score for Hannibal, Ep. 3.13, “The Wrath of the Lamb”

‘Brave Men’s Blood’ is a lean but empty crime drama

Ten of the Best at FrightFest 2015

Enthralling ‘Top Spin’ makes ping pong serious business

‘Bloodsucking Bastards’ is an office comedy with hilarious bite

‘A Nightmare on Elm Street’ – a near masterpiece of independent genre filmmaking

Video Tribute to the Life and Work of the Late Master of Horror Wes Craven

Telluride Film Fest Unveils Lineup Featuring ‘Beasts of No Nation,’ ‘Bitter Lake’ and so much more

Steven Spielberg claims that the superhero movie fad won’t last

Firefly, Ep. 1.13, “Heart of Gold”