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‘Rise of the Tomb Raider’: What is right for Lara Croft?

Scream, Ep. 1.08 to 1.10: Strong direction makes for an exciting finale

Brick by Brick, The House Mario Built: Revisiting ‘Super Mario 64’

Cate Blanchett to portray Lucille Ball in Aaron Sorkin penned biopic

Kenneth Branagh’s next project will be an adaptation of ‘Artemis Fowl’

‘Midnighter’ #4 is a sexy, buddy action dramedy

‘John Flood’ #2 is a comedic adventure for good karma

Lucky Louie, Ep. 1.12, “Kim Moves Out”

Why You Should Start Watching: The Leftovers

‘Orphan Black’ and ‘Jane the Virgin’ stars among lead shortlist for ‘Star Wars: Episode VIII’

River Song set to return for ‘Doctor Who’ Christmas special

5 Female sidekicks who outshine their male leads

‘I Am Bread’: The Toast With The Most

Playing House, Ep. 2.06, “Kimmewah Cup”

Awkward., Ep. 5.01, “Prank Amateurs”

‘The Insect Woman’ reveals the dark underbelly of Japanese cinema

‘Angel and Faith’ #18 brings Drusilla back with a vengeance

Bill Murray explains why he decided to cameo in Paul Feig’s ‘Ghostbusters’

Completionism in TV’s Platinum Age: Why critics and fans need to start jumping in mid-series

Brick by Brick, The House Mario Built: The Super NES Days

Box Office Sabermetrics: Universal’s Year of Moneyball

Hiroshi Teshigahara and the Japanese New Wave