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    The Definitive ‘What the F**k?’ Movies: 10-1

    10. Altered States (1980) Directed by: Ken Russell Is it a horror film? Many of Ken Russell’s films could be argued as such, but there’s enough in Altered States that makes it less horror and more science fiction/psychological thriller. Based on the novel by Paddy Chayefsky, Altered States introduced the world to William Hurt (and […] More

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    Video of the Day: Kubrick’s Poetry

    Marc Müller put together this amazing tribute to the late, great Stanley Kubrick. The Montage features clips from The Killing, Paths of Glory, Lolita, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket and Eyes Wide Shut. I’m not sure why he left out the other Kubrick films, […] More

  • 2001: A Space Odyssey (Keir Dullea)
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    Ranking the Films of Stanley Kubrick

    There are few auteurs as instantly recognizable and divisive as Stanley Kubrick, few filmmakers as idiosyncratic or groundbreaking. His work spans the entirety of life itself–sometimes in the same film–and has inspired almost as much derision as hosannas. There is no easy consensus on Kubrick’s films–though you may not be terribly surprised by our writers’ […] More

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    Stanley Kubrick and The Major Malfunction

    “Has it ever occurred to you what would happen to my future, if I were to fail to live up to my responsibilities?” – Jack Torrance, before telling his wife that he’s going to bash her brains in.   Jack Torrance has responsibilities that were given given to him in good faith by the manager […] More

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    ‘Gravity’ a visual stunner that lacks character complexity

    By now, Alfonso Cuarón has pretty much earned the crown of being one of the best, if not the best, technicians in modern cinema. His last three films—Harry Potter and the Prisoner of Azkaban, Children of Men, and now Gravity—all demonstrate a playful and intelligent command of space, his camera always roving in, around, and out of locations whenever possible. Gravity raises the bar for technical prowess in mainstream filmmaking, and Cuarón doesn’t shy away from the challenge of a film set entirely in space. This is nothing short of a flawless technical exercise, a frequently intense and relentless theme-park ride of a movie. The real downside is that Cuarón could’ve made more than just a ride. More

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    Here Be Dragons: ‘Ghost in the Shell’

    The animated companion to Blade Runner, Ghost in the Shell seeks to delve even deeper into the nature of identity than its predecessor, distinguishing itself with a more political story and its backdrop as the advent of the information age. An animated art film is a nigh-singular achievement. It’s a cross-section of two genres you almost never get, and a great one to boot. More

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    Star Trek, Star Wars & Avatar; Putting Sci-Fi Into Darkness

    In almost everything, there is subtext, intentional or not. In the ‘not’ category is the significant black cloud coming with the silver lining of three massive developments in movieland this year. Firstly, after months of feverish speculation, J.J. Abrams was chosen as the man to helm the return of Star Wars to the big screen; he confirmed his worthiness for the role with the release of Star Trek Into Darkness, a mega-hit blockbuster action adventure putting the highly rated Star Trek 2009 into the shadows; almost in an attempt to draw attention away from Disney and Spielberg’s protégé, James Cameron announced that the most successful film of all time, his film Avatar, would indeed have the three sequels he had long discussed, thankfully with different screen writers covering the wordy bits. Cue much jubilation from fandom; the silver lining. The malignant black cloud, the subtext, was the continued throes of the science-fiction genre as it is starved to death. More

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