Anna Torv

Fringe, Ep. 5.12-13, “Liberty”/”An Enemy of Fate”: Heavy-handed finale delivers with character, if not plot

Fringe, Ep. 5.11, “The Boy Must Live”: Talky ep answers some questions, ignores others

Fringe, Ep. 5.07-8: Series’ themes come to the fore in quasi-two-parter

Fringe, Ep. 5.05, “An Origin Story”: As ever, the Bishops don’t handle loss well

Fringe, Ep. 5.02, “In Absentia”: Restraint promises quiet, intelligent arc

Fringe, Ep. 5.01, “Transilience Thought Unifier Model-11”: Strong premiere sets up series’ brave new world

Fringe, Ep. 4.20, “Worlds Apart”: Bittersweet ep bids fond farewell to groundbreaking chapter

Fringe, Ep. 4.18, “The Consultant”: Continued focus on character keeps series on track

Fringe, Ep. 4.17, “Everything In Its Right Place”: Character study puts series back on track

Fringe, Ep. 4.14, “The End of All Things”: Welcome answers belie stalled-romance nervousness

Fringe, Ep. 4.13, “A Better Human Being”: Visual flair and a serene Olivia make for a strong episode

Fringe, Ep. 4.12, “Welcome to Westfield”: Terrific bottle episode lets cast shine

Fringe, Ep. 4.11, “Making Angels”: Uneven episode helped by long-overdue focus on Astrid

Fringe, Ep. 4.07, “Wallflower”: Promising episode undone by narrative-necessitated stupidity

Fringe Ep. 4.06, “And Those We Left Behind”: Guest stars lift series to season high

Fringe, Episode 4.04: “Subject 9”

Fringe, Ep. 4.03: “Alone in the World”

Fringe, Ep. 4.02: “One Night in October”

Fringe, Ep. 4.01: “Neither Here Nor There”