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David Lynch
‘Twin Peaks’ by William Henry
Attack of the Trilogies
Wild at heart: David Lynch’s psychotic Wizard of Oz
Ricky D’s Favourite Cult Films #28: ‘Wild at Heart’
Ranking David Lynch’s Films
David Lynch, Auteurism and Haptic Perception in Twin Peaks: Fire Walk with Me and Inland Empire
The birth of ‘The Grandmother’ and Lynchian themes
Scene analysis: The Slow Club sequence in ‘Blue Velvet’
‘Mulholland Drive’ baffles the mind
‘Eraserhead’ a pneumatic experience that once seen is never forgotten
‘Blue Velvet’ A poisoned valentine to the illusionary, transparent, American dream
David Lynch’s tryst at the Mouse House in ‘Straight Story’
David Lynch and Surrealism in Twin Peaks, Mulholland Dr. and Lost Highway
The perfectly strange world of Twin Peaks
‘Idem Paris’, directed by David Lynch
Poll: What should the March theme for our monthly TV/Movie club be?
10 shows that were cancelled…too soon
31 Days of Horror: ‘Inland Empire’ an incredible showcase of Lynch’s most unsettling impulses
Louie, Ep. 3.10-12: “Late Show” saga redeems our sad-sack hero
The Act of Seeing for the first Time and the Ideal Cinema: Sight & Sound’s Best Films of All Time
Alternate Video For Chris Isaak’s “Wicked Game” Directed By David Lynch
Unobtanium – The Battle for Dune
Catching up with a Classic: With ‘Eraserhead’ Lynch created a new cinematic language
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