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20 Years On, the Humanity of Fargo is the Coens’ Crowning Achievement

When Fargo was released 20 years ago, its subsequent success would have seemed unlikely, even impossible. The Coen brothers’ three previous films had all failed at the box office, despite receiving glowing reviews. On its surface the film would seem too dark and too violent to ever attract audiences, another flop in the making. But …

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The man who’s always there: Carter Burwell’s collaborations with the Coen Bros.

In his 30-year career as a composer, Carter Burwell’s film scores have run the veritable cinematic gamut. From composing for Spike Jonze (Being John Malkovich, Adaptation., Where the Wild Things Are) to his work being the best parts of the Twilight saga, Burwell’s résumé is sporadic and unconventional, even for a man who makes film music for …

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The Peabody Awards announce their 2015 entertainment program winners

The Peabody Awards have grown to be a staple of media since their beginning in 1940, as the committee awards programs they see as excellent in quality. Beginning with only awards for radio, the group soon expanded to television, giving tv shows their due credit since 1948. While the actual awards ceremony has yet to occur, …

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‘Kumiko, the Treasure Hunter’ plays beautifully in an unreal space

Once upon a time, there was a Japanese woman who watched the movie Fargo. The movie begins with a title card pronouncing, “THIS IS A TRUE STORY,” and the fact that the Coen Brothers were playing a little prank with that statement was covered in American media only. So it came to pass that the woman believed the film to be true, and carried her belief to such a degree that she travelled to Minnesota alone, in search of the ransom money hidden by the Steve Buscemi character near the end of the film.

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Week in Review: Darren Aronofsky could direct ‘The Good Nurse’

Though this year’s Noah turned a lot of heads and made more than a handful of viewers frustrated, be it for declining to use the word “God” or just including Rock Titan Angel things into a Biblical story, Darren Aronofsky still remains a highly valued director and ever rising auteur in Hollywood. Aronofsky is currently …

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Emmys: Breaking Bad dominates, Modern Family wins again

For the second year running and for its final season, Breaking Bad won Outstanding Drama Series at the 66th Annual Emmy Awards. It virtually swept the awards in an especially stacked year, also picking up awards for Best Actor Bryan Cranston, Best Supporting Actress Anna Gunn, Best Supporting Actor Aaron Paul, and Best Writing for …

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Deliver Us From Marketing – The Misuse of ‘True’ Stories in Cinema

The dishonest suggestion of truth behind an uninspired movie is an easy means to attract a bigger audience. It is a double-edged sword, however, when said audience discovers that the majority of what they have seen is inaccurate and, on occasion, almost slanderous.

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Fargo Ep. 1.10 “Morton’s Fork” delivers an awesomely unsatisfying finale

There are a handful of moments in “Morton’s Fork” where characters consider two very different options. Some are existential (Pepper wondering if he’s awake or asleep), some are incidental (whether Lester should run away not once, but two more times), and some are moral (Gus and Lou’s attempts to “protect” Molly). However different these choices may seem on the surface, the underbelly of “Morton’s Fork” is about the ambiguity of “good” and “bad”, silently observing the battle of each in characters, from Lester to Malvo, right down to our soon-to-be-retired police chief Bill. And by plainly stating the bad and good of each character in this world, Fargo doesn’t end with the Biblical implications it began with, ending with a Coen-esque morality play, where the decent win, the dumb die, and evil is finally vanquished from Bemidji.

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Fargo Ep. 1.09 “A Fox, a Rabbit, and a Cabbage” a wildly effective penultimate hour

In a world where the devil runs amok around America, killing dentists and mobsters, scaring little children and old men alike, Lester Nygaard is the most evil presence around. It’s taken Fargo awhile to build to this – nine hours, exactly – but it finally comes to light, in an hour where Lester’s pride refuses to let him walk away and enjoy his spoils. It’s not enough to be recognized and assisted by the devil, not for ol’ Lester, who walks up to Lorne Malvo in a Las Vegas hotel bar and insists he knows who he is. After repeated, obvious attempts by Lorne not to reveal such a truth (after all, six months of work was on the line), Lorne asks Lester a very, very familiar question:

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