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Staff List: The 40 Best Films of 2012

#20: Cosmopolis (50 points) Directed by David Cronenberg Written by David Cronenberg Canada / France, 2012 Every time Cronenberg answers the prayers of his fans with a new movie, it seems that the first reflex is to attempt to categorize it. Is this new film more like the old Cronenberg, in which very strange, very …

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Ricky D’s 50 Favourite Films of 2012 (Part Two)

  25: The Dark Knight Rises Directed by Christopher Nolan Screenplay by Jonathan Nolan and Christopher Nolan 2012, USA The Dark Knight Rises feels as if it was made up of two equal halves, with the most critical moment of the film breaking the movie in half, almost literally. While the second half may have …

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Ricky D’s 50 Favourite Films of 2012 (Part One)

2012 wasn’t a bad year for movies. It was actually a great year. The problem is, the movies we were most anticipating, specifically the Hollywood blockbusters like Prometheus and The Hobbit, didn’t live up to our expectations. With that said I still managed to make a list of 50 films I loved. Maybe I just …

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‘This Is Not A Film’

The film ends with Panahi taking his cues from another amateur, a fill-in custodian for his building. Panahi rides down the elevator with the young man while he collects trash, listening to him talk about his studies, which were interrupted by time in jail. When they reach the ground level, Panahi follows the young man to the gate, and on the street we can see a bonfire celebrating the New Year. “Don’t follow me out, or they’ll see you filming,” the young man says. That visibility would be a bridge too far.

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NYFF 2011: ‘This Is Not A Film’ chronicles Panahi’s creative imprisonment

This Is Not A Film Directed by Mojtaba Mirtahmasb & Jafar Panahi Written by Jafar Panahi 2010, Iran When the Iranian government moved last year to formally ban Jafar Panahi from writing or directing any future films for the next two decades, Panahi decided to interpret the ban in the narrowest terms possible. He can …

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Jafar Panahi – Keep the lighthouse in Sight

The subject is revolution.  The images are of people – young and old, cops and criminals, celebratory and despairing – confined in the frame by the structural elements of their surroundings.  Interspersed among these images are visuals of genteelly rippling pools of water, reflecting the canopy of trees above.  And bookending the short film itself …

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