James Spader

With ‘Crash’, Cronenberg further proved himself to be a filmmaker ahead of his time

‘The Homesman’ sees Tommy Lee Jones direct the weirdest western in quite some time

The Blacklist Ep. 1.20 “The Kingmaker”: Weak Story Brings Out Strong Performances

The Blacklist Ep. 1.19 “The Pavlovich Brothers”: Secrets and Lies Lead to Confrontation

The Blacklist Ep. 1.18 “Milton Bobbit”: Ensuring Life Goes On After Death

The Blacklist Ep. 1.16 “Mako Tanida” finally brings the show into focus

The Blacklist, Ep. 1.15 “The Judge” satisfies, but barely

The Blacklist, Ep. 1.14 “Madeline Pratt” looks towards Keen’s past

The Blacklist, Ep. 1.13 “The Cyprus Agency” continues to frustrate

The Blacklist, Ep. 3.12: “The Alchemist” continues its bad streak

The Blacklist Ep. 1.11, “The Good Samaritan Killer” frustratingly shows promise

The Blacklist, Ep. 1.10, “Anslo Garrick, Part 2”

Steven Soderbergh Month: ‘sex, lies, and videotape’ announces director’s stunning arrival

The Blacklist, Ep. 3.09, “Anslo Garrick, Part 1” is exciting, but feels like a stall

The Blacklist, Ep. 1.08, “General Ludd” falters with an unexplored villain

The Blacklist, Ep. 1.07, “Frederick Barnes” shows the series’ inconsistencies

The Blacklist, Ep. 1.06, “Gina Zanetakos” regresses to underwhelming plots

The Blacklist, Ep. 1.05, “The Courier” starts to hit its stride

The Blacklist, Ep. 1.04: “The Stewmaker” improves with a more interesting villain

The Blacklist, Ep. 1.03, “Wujing” moves the show in the right direction, but not fast enough

The Blacklist, Ep. 1.01, “Pilot” is imperfect, trope-filled, yet shows promise

One of the best films of 2012, ‘Lincoln’ is a thrilling and exciting piece of American history

Shorts (Review)