5 times David Bowie’s music made the scene
David Bowie acted in his share of films, but sometimes, all he need was one song to leave an impact on a movie.
David Bowie acted in his share of films, but sometimes, all he need was one song to leave an impact on a movie.
30. Conspirators of Pleasure (1996) Directed by: Jan Švankmajer We’ve already seen two films from Jan Švankmajeron the list, but this elaborate movie about a number of separate, but connected people takes the cake. Conspirators of Pleasure follows six people, each with their own incredibly unsettling fetish. A letter carrier ingests dough balls every night before …
Leos Carax followed his short film Strangulation Blues (1980) with the tragic Boy Meets Girl in 1984. Starring Denis Lavant and Mireille Perrier, Carax’s first feature announced a new and exciting presence in both French and World cinema. Boy Meets Girl premiered in May 1984 at the Cannes Film Festival in the Independent Critics Week section, …
This new column for Sound on Sight will feature Cahiers du Cinema critics-turned-filmmakers. However, it will not cover the infamous New Wave directors, but four other filmmakers who wrote for the journal and subsequently became directors. What follows is a brief history of the journal and its association with the four filmmakers that will be …
#10: The Cabin in the Woods (107 points) Written by Joss Whedon and Drew Goddard Directed by Drew Goddard USA, 2012 Like Scream, it’s a self-aware slasher film, but where Scream was happy simply to turn the genre’s bloody glove inside out and examine the stitching, The Cabin in the Woods has more complicated ambitions. If Scream is …
25: The Dark Knight Rises Directed by Christopher Nolan Screenplay by Jonathan Nolan and Christopher Nolan 2012, USA The Dark Knight Rises feels as if it was made up of two equal halves, with the most critical moment of the film breaking the movie in half, almost literally. While the second half may have …
2012 wasn’t a bad year for movies. It was actually a great year. The problem is, the movies we were most anticipating, specifically the Hollywood blockbusters like Prometheus and The Hobbit, didn’t live up to our expectations. With that said I still managed to make a list of 50 films I loved. Maybe I just …
Every thirty days, I like to post a list of my favorite films I’ve recently watched. Here are the best films I’ve seen throughout the month of October. This list is based on movies theatrically released here in Canada, and I do not include what I have seen at film festivals. **** 1: Holy Motors …
Spring Breakers – Opening Sequence Having been at TIFF this month, attempting to select favorite scenes without going entirely overboard– well, it may not exactly be as drastic as Sophie’s choice, but that is the first label that comes to mind. Spring Breakers is one of many very strong showings from Toronto this year, and …
Fantastic Fest is over but that doesn’t mean we should stop promoting the incredible line-up of movies programmed. It has become a Sound on Sight tradition that once the event has finished, we post a festival wrap-up highlighting our favourite films. Here are the top three picks from four of our writers. You can check …
Holy Motors Directed by Leos Carax Written by Leos Carax 2012, France Raising more questions than answers, Holy Motors is open to interpretation and any preconceptions you may have before going in will be eliminated by the opening frames. In this trip of a movie, we follow Monsieur Oscar (Denis Lavant) – a shadowy figure …
Holy Motors Directed by Leos Carax Written by Leos Carax France/Germany, 2012 If you’ve never heard of Leos Carax, Holy Motors might not be the best way to make the French director’s acquaintance – or maybe, just maybe, it wouldn’t matter much at all. Having not produced a feature-length film since 1999’s Pola X, Carax’s latest is an oddly euphoric …
Holy Motors Directed by Leos Caraz Written by Leos Carax France, 2012 Holy Motors is one of those films one has to be very wary of. Trying to explain and rationalise it could end up seeming like a close-minded attempt at imposing undue limits on a progressive piece of art. Yet to eschew any hint …