Tom Mison

Sleepy Hollow, Ep. 2.18, “Tempus Fugit”: Let’s do the time warp again

Sleepy Hollow, Ep. 2.17, “Awakening”: For whom the bell tolls

Sleepy Hollow, Ep. 2.15, “Spellcaster”: Must be the season of the witch

Sleepy Hollow, Ep. 2.14, “Kali Yuga”: Big wheel, keep on turning

Sleepy Hollow, Ep. 2.13, “Pittura Infamante” paints a far more encouraging picture

Sleepy Hollow, Ep. 2.11, “The Akeda” spills the blood of man and demon

Sleepy Hollow, Ep. 2.10, “Magnum Opus” gets back to basics pre-midseason finale

Sleepy Hollow, Ep. 2.09, “Mama”: Focus on family rights the ship

Sleepy Hollow, Ep. 2.08, “Heartless”: The clawed hand that rocks the cradle

Sleepy Hollow, Ep. 2.07, “Deliverance”: The un-immaculate conception

Sleepy Hollow, Ep. 2.06, “And The Abyss Gazes Back”: Hungry like the wendigo

Sleepy Hollow, Ep. 2.05, “The Weeping Lady”: Cry me (into) a river

Sleepy Hollow 1.12 “The Indispensable Man” and 1.13 “Bad Blood” an insane, relationship-fueled finale

Sleepy Hollow 1.11 “Vessel” a great mix of scares, action, relationships

Sleepy Hollow Ep. 1.10 “The Golem” is an Emotional Midseason Finale with an Interesting Monster and Great Guest Performance

Sleepy Hollow 1.09 “Sanctuary” is a Decent Breather Episode Weighed Down by Cliches and a Weak Villain

Sleepy Hollow Ep 1.08 “Necromancer” Shows Ichabod at His Most Vulnerable

Sleepy Hollow Ep 1.07 “The Midnight Ride” Has a Fun Plot and Gives Orlando Jones Some Much Needed Screen Time

Sleepy Hollow, Ep. 1.06, “Sin Eater” develops show’s themes with flashbacks, guest stars

Sleepy Hollow, Ep. 1.05, “John Doe” has promise, but further muddles mythology

Sleepy Hollow, Ep 1.04, “The Lesser Key of Solomon” provides much needed backstory

Sleepy Hollow, Ep. 1.03, “For the Triumph of Evil”: Scary monster, character development can’t save weak third act

Sleepy Hollow 1.02 “Blood Moon” Leans Heavily on Horror Cliches, But Adds Depth to Its Characters