TV review

The Leftovers, Ep. 2.05, “No Room at the Inn”

The Leftovers, Ep. 2.02, “A Matter of Geography”

Game of Thrones, Ep. 5.10: “Mother’s Mercy” brings a scattershot season to a brutal end

Louie, Ep. 5.07/08: “The Road” fittingly caps a ramshackle season

Louie, Ep. 5.06: “Sleepover” one of the series’ lightest-ever episodes

The Good Wife, Ep. 6.22: “Wanna Partner?” puts a troubled season out of its misery

Game of Thrones, Ep. 5.05: “Kill the Boy” a focused, methodical middle entry

Louie, Ep. 5.05: “Untitled” pushes the series’ surreality past the breaking point

Louie, Ep. 5.04: “Bobby’s House” eschews emasculation in search of deeper truth

The Good Wife, Ep. 6.20: “The Deconstruction” gives a key character a lame sendoff

Louie, Ep. 5.03: “Cop Story” examines male insecurity, served up two ways

Louie, Ep. 5.02: “A La Carte” resumes the ballad of Louie and Pamela

Justified, 6.13: “The Promise” ends the series on a heartfelt, elegiac note

The Good Wife, Ep. 6.19: “Winning Ugly” relocates the series’ cynical heart

Louie, Ep. 5.01: “Potluck” a too-familiar misfire

Justified, Ep. 6.12: “Collateral” takes one last pass at Boyd Crowder’s legacy

The Good Wife, Ep. 6.18: “Loser Edit” dutifully ticks off its season-arc beats

The Good Wife, Ep. 6.17: “Undisclosed Recipients” a light interlude before the final act

Justified, Ep. 6.10: “Trust” shifts the rules of the game

The Good Wife, Ep. 6.16: “Red Meat” finally wraps up the State’s Attorney race

Justified, Ep. 6.09: “Burned” rollicking enough to forgive a patchy plot

The Good Wife, Ep. 6.15: “Open Source” sees the return of long-absent faces

Justified, Ep. 6.08: “Dark as a Dungeon” marred by heavy-handed writing