Karen Berger: The Architect of Vertigo, Among Other Things

‘Whiplash’ a mean and refreshing take on self-determination

‘Love Is Strange’ is marred by plot imperfections but buoyed by first-rate performances

Once Upon A Time, Ep. 3.12, “New York City Serenade” flies the season to wicked heights

SXSW 2014: ‘Predestination’ mind bendingly explores identity and fate

The Good Wife, Ep 5.13 “Parallel Construction, Bitches” brings dormant plots back

Girls, Ep. 3.10, “Role-Play” takes central relationship to a dark place

Looking, Ep. 1.08: “Looking Glass” is more than half empty

True Detective, Ep. 1.08 “Form and Void” finishes the season in fine form

Without Theatres: ‘Mon oncle d’Amérique’ reveals Resnais, the film critic

Amid chilly atmosphere, ‘Non-Stop’s’ standout track is the one that doesn’t belong

Stanley Kubrick and The Major Malfunction

Black Sails, Ep. 1.07: “VII.” – not much calm before the storm

GFF 2014: ‘The Tale of Iya’ is a film of serene and organic beauty

SXSW 2014: ‘Joe’ is a rural reflection of man’s vicious nature

Twenty Documentaries to Watch For in 2014

‘Special ID’ has electrifying action amidst a nonsense plot

‘The Grand Budapest Hotel’ is Wes Anderson’s most mature film yet

SXSW 2014: ‘Only Lovers Left Alive’ beautifully examines love in isolation and immortality

‘Kingdom Hearts’: Making the Impossible, Possible

Hannibal Ep 2.02 “Sakizuki” is brilliant, chilling and flawless

Banshee, Ep. 2.09: “Homecoming” sets up the season two endgame

Grimm, Ep. 3.14, “Mommy Dearest” an overdue spotlight for Sgt. Wu