Remember Me: Richard Matheson (1926-2013) – “Just” A Great Storyteller

‘Prince Avalanche’ is one of David Gordon Green’s best in awhile

Fantasia 2013 Brings Edgar Wright, Clive Barker and Andrzej Żuławski

EEFF 2013: Starry-eyed ‘Satellite Boy’ limits its appeal to younger viewers

EEFF 2013: ‘99%’ brilliantly reflects its subject through a collectivist construction

EIFF 2013: ‘Before Snowfall’ follows its protagonist on a nuanced, multicultural journey

EIFF 2013: ‘Leviathan’ is an immersive sensory experience, depicting a dissonant, alien world

EIFF 2013: ‘Sanctuary’ is better when it stays simple

EIFF 2013: ‘Celestial Wives of the Meadow Mari’ is an exuberant, theatrical ethnography

Defiance, Ep. 1.09, 1.10 and 1.11: “I Just Wasn’t Made for These Times,” “If I Ever Leave This World Alive” and “The Bride Wore Black” make a busy show even more busy

Wide World of Horror: ‘Porto dos Mortos (Beyond the Grave’)

The Harbinger of Hope: Enlightened’s Amy Jellicoe on Change

Videogames: A Matter of Life and Death

Xbox One: Game Over for Game Over

Is Nintendo Doomed?

Freaks and Geeks Ep 1.09 ‘We’ve Got Spirit’: when regional fever captures McKinley High

EEFF 2013: ‘Richard Pryor: Omit the Logic’ entertains, yet struggles to dig deeper

EEFF 2013: ‘The UK Gold’ is a flawed insight that nevertheless siezes the zeitgeist

DREDD’s Last Hope (UPDATED X2)

Jupiter’s Legacy #2 Explores Dysfunctional Superhero Families and Sets Up Future Conflicts

Cancelled TV Shows That Should Continue in Comic Form

True Blood, Ep. 6.01 and 6.02: “Who Are You, Really?” and “The Sun” – Sink your teeth into season six

EEFF 2013: ‘The Man Whose Mind Exploded’ steadily implicates director and audience