Once Upon A Time, Ep. 2.02, “We Are Both”: And the plot thickens.

31 Days of Horror: ‘John Dies at the End’ is relatively compelling, often funny and never boring

Unsung Gems – ‘Wonder Boys’

Fringe, Ep. 5.02, “In Absentia”: Restraint promises quiet, intelligent arc

NYFF 2012: Sally Potter’s ‘Ginger & Rosa’ builds upon silent pain to brief poignancy

31 Days of Horror: ‘Angst’ demonstrates why cinematic killers have personas

Rian Johnson’s Clockwork Men

‘Butter’ a scattered, messy, sometimes enjoyable Midwestern satire

Grimm, Ep. 2.06, “Over My Dead Body”: No One Gets Lucky. Again

‘Antiviral’ Movie Review – a passingly potent syringe of contemporary criticism on the cult of celebrity

Extended Thoughts on ‘101 Dalmatians’

Sheldon Big Bang Theory T-Shirt Inforgraphic

‘Frankenweenie’ is a Love Letter to Classic Monster Movies… as Written by Chris Farley

NYFF 2012: ‘Deceptive Practices’ a fawning look at a legendary talent

Last Resort, Ep 1.02: “Blue on Blue” examines the emotional and global impact of the sub’s actions

31 Days of Horror: ‘Demon Seed’ is a mostly successful genre-mashup

‘Frankenweenie’ a delightful throwback to old-school horror

‘The Oranges’ a weak attempt at suburban satire

31 Days of Horror: Ken Russell imagines classics’ inception in ‘Gothic’

Theme song for newest Bond movie ‘Skyfall’, performed by Adele, now released

Survivor: Philippines Ep. 25.3 “This Isn’t a ‘We’ Game”: Allegiances shift while Matsing keeps drowning

‘Wuthering Heights’ – a refreshingly raw and breathtaking adaptation

2012’s Great Movie Moments: September