Mousterpiece Cinema, Episode 49: ‘Bambi’

‘Bernie’ clunky and lacking cohesion

‘Moonrise Kingdom’ further establishes Wes Anderson as a director who knows how to engage audiences

‘Blade Runner’ is a feast for the eyes and a powerful exploration of disillusionment

Videocast – Cross Cut Montreal Episode 2

The Life And Death Of The “Passion Pits”

Catherine Breillat’s Fat Girl (2001)

Perversity and Poetry: ‘Dead Ringers’

FNC and Fantasia Collaborate to Present Nikkatsu: 100 Years

‘Foreverland’ is not just bad, but stereotypically so

The Three Faces of Snow White

‘Saudade’ hampered by its paltry running time

Game of Thrones, Ep. 2.10: “Valar Morghulis” brings payoffs galore, hints at cataclysm to come

Mad Men, Ep. 5.12, “Commissions and Fees”: The End Is Nigh

Lesbian Scene Analysis: ‘Game of Thrones S01E7 – You Win Or You Die’

‘Prometheus’ a deeply flawed visual spectacle

Dissecting the Miniseries: “Edge of Darkness” shines a light on the – then – future of television drama

Shaw Brothers Saturdays: ‘Executioners of Shaolin’ demonstrates that execution is indeed everything

‘A Cat in Paris’ never truly actualizes its self-imposed expectations

‘Prometheus’ provides frustratingly flat banality

Extended Thoughts on ‘WALL-E’

Mousterpiece Cinema, Episode 48: ‘WALL-E’

‘Snow White and the Huntsman’ is a film of arguably hollow pleasures, but it’s a commanding fantasy with a potent chilly atmosphere